This page contains a Flash digital edition of a book.

Our Makeover of the Month takes us to the Yorkshire city of Sheffield where tiles from Solus Ceramics were used to create an industrial-style look at a university research facility.

Tile supplier Solus Ceramics has helped engineer the design of the state-of-the-art manufacturing research facility, Factory 2050, with the installation of bespoke cut tiles from three striking tile ranges.

Factory 2050 works for the future of the UK’s engineering industry, as the first reconfigurable assembly and component manufacturing facility for collaborative research in the UK, capable of rapidly switching production between high- value components and one-off parts. The University of Sheffield building accommodates for up to 70 staff and is designed for the research and demonstration work associated with making the next generation of aircraft and energy technologies.

Bond Bryan Architects designed the 6,700m2, glass-walled, circular factory at the heart of the University of Sheffield’s new advanced manufacturing campus on Sheffield Business Park.

Challenging the stereotypical, rectilinear architectural solution to industrial buildings, the striking design of the steel-framed circular glass building was designed to act as an international example for automated production facilities of the 21st century. The circular form was selected to enable an almost infinite production sequence to enhance rapid manufacturing techniques and expose the manufacturing activity within, to the outside.

To meet the client request of a light and refreshing finish with statement accents, large format (1500 x 700mm) tiles from Solus Ceramics’ Replicate range were installed in the central rotunda, breakout spaces and perimeter circular walkways. Two contrasting shades were used to give a subtle, yet striking, effect. In addition, Solus Ceramics also supplied tiles from its Stonework and Modular ranges to the bathroom facilities throughout the building.


Jon Rigby, Associate at Bond Bryan Architects, said of the project: “A key requirement of the client’s brief was to create a true open-plan, well-lit and highly connected working environment and to challenge the literal and symbolic separation that typically occurs between office and production areas.

“We selected the Replicate range from Solus Ceramics’ Essential Collection throughout the building to provide a contemporary, robust aesthetic, using the tones and textures of concrete to contrast visually against the industrial metallics used elsewhere within the building fabric.

“The large format tiles allowed us to visually complement the impressive, large-scale open plan workshop spaces, so that the floor did not become lost and trivial within the space.”

The concrete-inspired floor and wall tiles of the Replicate range embody a modern industrial aesthetic, fitting seamlessly into the surroundings of Factory 2050. Influenced by urban architectural trends and industrial landscapes, Replicate features nine contemporary colours, including raw greys and rustic browns. Each tile is unique, providing a sense of natural individuality to any surface.

Jon continued: “The tiles were cut using a waterjet technique, cut radially to follow the shape of the building, this process was undertaken in a factory using a cutting company in liaison with ourselves and Solus Ceramics. This process was necessary to ensure accuracy and consistency, and also to reduce site waste and installation time. The outcome is spectacular and the slight tonal difference selected from the range, between the circulation and activity areas, is fantastic.

“We specified Solus Ceramics because of the guaranteed level of quality we could expect, particularly in terms of the

product range, choice and value, but also in the service provided. Both the client and ourselves are delighted with the outcome and effect the tiles give.”

The range reflects the patterns, colours and irregularities that appear in polished concrete and displays charming variations. Some of the tiles have also been designed to evoke oxidized metal, presenting a chic rusted finish.

Perfect for creating a contemporary but distressed design, Replicate can be used to create flowing uninterrupted spaces, inside and out. The range is available in plank shaped ‘floorboard’ style pieces that can create an interesting and eye-catching finish, in addition to large format options aside from a whole host of more standard rectangle and square sizes.

The Stonework range provides a rustic stone appearance, offering an accurate tonal shade. The porcelain tiles are the perfect alternative to natural stone as, not only do they replicate the look and feel of the material, they possess the quality, strength, durability, resistance and lifetime guarantee of porcelain.

David Overton, Business Development Manager at Solus Ceramics, said: “As a company, we’re always excited to work with people who push the boundaries and Bond Bryan Architects have done just this, with a refreshing approach to this development. Factory 2050 has been a fantastic project to work on with such a revolutionary design, setting itself apart from any other manufacturing facility in the country.

“The Replicate range is elegantly subtle, and gives stand out results when applied in such context like Factory 2050. The impact this tile choice has given to the finish of this facility is one of a kind.”

Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60