HOTEL REVIEW
Bernerd’s knowledge of the area
(her firm is based in Belgravia and formerly occupied an office opposite the hotel) has also played an important part in the design. “Londoners will see it as a local destination and almost use it as their own club,” she says. The previously cramped lobby area was broken out to create a double height entrance, with a staircase in Tuscany honed marble and bronze, and leather topped glass handrail leading up past a neon sign by artists Tim Noble and Sue Webster pointing the way to ‘Mark’s Bar’.
“The biggest challenge was the ceiling heights,” explains Tommy Gymnander of Tara Bernerd & Partners “We had to play a few tricks to make building feel more spacious. The concrete soffits and long sightlines give a loft-like feel.” In the lobby, patterned rugs by Spanish
firm Alarwool rub up against furniture which includes designer pieces from the likes of Autoban, B&B Italia and Classicon alongside one-off vintage pieces and reproductions. The reception desk is a bespoke design consisting of bronze and fluted glass and marble. Lighting includes contemporary designs by Lee Broom and Santa & Cole, as well as old fashioned filament light bulbs. Hix Belgravia is an 80-seat restaurant which
sees Mark Hix offering a a more eclectic menu than that offered at his restaurants in Soho or Clerkenwell, inspired by his travels around the world. Semi circular booths have been cleverly incorporated into the protruding glass façade. A lighter menu is available in the mezzanine level Mark’s Bar, designed in tones of bronze, copper, brass, zinc and tombac, beyond which is an all year round roof-top terrace designed to provide the necessary open space under UK smoking regulations. The design for this semi-enclosed space incorporates a bi-parting retractable roof light and fixed frameless glass roof over the double height extension linking this outside space to the main building. The hotel’s 85 guestrooms feature silver
grey timber floors throughout, a design feature which carries through to the bespoke cabinetry adding warmth to each considered space. All rooms are handsomely decorated with palettes of neutral tones and natural textures. Accents of aubergine, caramel or vermillion on signature walls create a stylish yet warm atmosphere. Marble bathrooms are finished with smoked glass and brass beaded curtains, preserving the modesty of guests who would otherwise be visible through the glazed wall between bathing and sleeping area. Other facilities include private dining or meeting space for up to 22 guests, and gym.
084 MAY / JUNE 2012
WWW.SLEEPERMAGAZINE.COM
ABOVE LEFT: Room designs feature purple velvet seating built into the oriel window nooks ABOVE RIGHT: The entrance staircase is a mixture of Tuscany honed marble and bronze with a leather topped glass handrail and carpeted treads on the stairs
EXPRESS CHECKOUT
Belgraves London 20 Chesham Place, London, UK SW1X 8HQ Tel: +44 (0)20 7858 0100
www.thompsonhotels.com
„ 85 guestrooms and suites ‰ Hix Belgravia  Mark’s Bar [ Fitness Centre + Two meeting rooms, outdoor terrace
Owner: Harilela Hotels Operator: Thompson Hotels Interior Design: Tara Bernerd & Partners Architects: EPR Architects Project Management: Jones Lang LaSalle Lighting Design: Isometrix Quantity Surveyor: Gleeds Consulting Engineers: Norman Disney Young, Pell Frishmann Contractor: Overbury
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132 |
Page 133 |
Page 134 |
Page 135 |
Page 136 |
Page 137 |
Page 138 |
Page 139 |
Page 140 |
Page 141 |
Page 142 |
Page 143 |
Page 144 |
Page 145 |
Page 146 |
Page 147 |
Page 148 |
Page 149 |
Page 150 |
Page 151 |
Page 152 |
Page 153 |
Page 154 |
Page 155 |
Page 156 |
Page 157 |
Page 158 |
Page 159 |
Page 160 |
Page 161 |
Page 162 |
Page 163 |
Page 164 |
Page 165 |
Page 166 |
Page 167 |
Page 168 |
Page 169 |
Page 170 |
Page 171 |
Page 172 |
Page 173 |
Page 174 |
Page 175 |
Page 176 |
Page 177 |
Page 178 |
Page 179 |
Page 180 |
Page 181 |
Page 182 |
Page 183 |
Page 184 |
Page 185 |
Page 186 |
Page 187 |
Page 188 |
Page 189 |
Page 190 |
Page 191 |
Page 192 |
Page 193 |
Page 194 |
Page 195 |
Page 196 |
Page 197 |
Page 198 |
Page 199 |
Page 200 |
Page 201 |
Page 202 |
Page 203 |
Page 204