HOTEL REVIEW


The theatrical references come thick and


fast. Spotlights are suspended on gantries both horizontally and vertically, in the case of a stairwell. Vinyl record players sit on top of metal-edged ‘roadie’ cases in guestrooms. Exposed light bulbs accentuate the graceful arches of the Teaterbrassereit and also frame antique mirrors in the toilets where paparazzi- like crowd scenes decorate the walls. Well- known song lyrics, old and new, are painted directly on corridor walls (versions on hard backed boards decorate guestrooms). Further local references are seen in the vintage video footage looping behind the reception desk and guestroom numbers made from original print blocks: there used to be a printers on the site. Further imagery sees photos of local artists and, covering one wall of each lift, a map of the local area. Tempestuous, like all love affairs, the


interiors are also a collision between the traditional elements of the building – marble


flagstones, detailed cornicing and pillars – and those inspired by Stockholm’s streets – metal (copper piping used decoratively, brass sheeting, industrial-styled stairs and balustrades in the Acoustic Bar, metal grids) and a strong graphics concept that sees local manhole covers and grates depicted in corridor carpets. This highly developed story telling is to be expected from a design company that won awards at the European Hotel Design Awards 2009 including one with the appropriately named Story Hotel, Stockholm. “The creative story needs to be relevant to create a flow in the design process, to reinforce the hotel’s USP and make it easier to market the hotel,” explains Ekroth, “for everyone to tell the same story to the customer is a big strength.” Certain other challenges had to be addressed in the course of the project. An extension into the U-shaped courtyard provides suites with windows on three


112 MAY / JUNE 2012 WWW.SLEEPERMAGAZINE.COM


ABOVE: The lobby features Vitra ‘Organic’ chairs, designed by Charles Eames and Eero Saarinen, and Moooi ‘Rabbit’ lamps. Elsewhere in the lobby hurricance lamps by Skogsberg & Smart feature, as well as lighting by Artemide and Diesel for Foscarini


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