HOTEL REVIEW
effect aluminium composite imprinted
with motifs from traditional shadow plays, textural bamboo lighting mobiles, and gently angled armchairs. Sourced from China, dark emperador stone flecked with both gold and white marbling paves the central staircases and corridors and when backlit takes on the look of a catwalk. Down to the eighth floor and the ballroom dazzles with contemporary black crystal drop chandeliers and a modern evocation of wood panelling. Expected to be popular with locals,
the Red Oven world food market on the seventh floor comprises live cooking stations serving up various street-style cuisines from the largest vermilion-hued Molteni
stove in southeast Asia. Attractive eastern walnut arranged in linear and block form contrasts with black emperador in this chic urban space where cargo boxes forming a wall display are wittily stamped with the hotel’s name and sheet metalwork shaped into a contemporary version of the rose window at Notre Dame in Paris catches the eye. Switching ambience once more, Park Society on the 29th floor steps up the glamour, offering chef ’s table-concept dining in an elevated setting consisting of indoor and alfresco seating. Backlit, etched, gold mirror-coated wall panels showing a motif loosely representing the building’s urban façade are juxtaposed with white marble
056 MAY / JUNE 2012
WWW.SLEEPERMAGAZINE.COM
TOP AND ABOVE RIGHT: Guestroom designs from the ‘earth’, themed floors feature cobalt blues with white and black accents by Vitoon Kunalungkarn of I A W Company ABOVE CENTRE: A ‘wood’ themed room by Nithi Sthapitanonda of IA49 ABOVE LEFT: A water element room by Pongthep Sagulku of August Design
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