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FESTIVAL OF LIGHT / LUMIERE, DURHAM, UK
Splash by Peter Lewis, with lighting by Speirs and Major and engineering by Water Sculptures, transformed Ove Arup’s Kingsgate Bridge into a huge illuminated waterfall.
the first time around the chance to do so again, a new audience the opportunity to see it for the first time plus real value for the producers.” Ashton created the projection show’s storyboard after an initial brief from Artichoke’s Helen Marriage and Nicky Webb. He took ideas related to its narrative and direction and then added and developed his own input. The story captured the history of the Cathedral including the Lindisfarne Gospels, noted for their amazing accompanying imagery and spectacular Celtic calligraphy. These were originated by the Lindisfarne Monks and stored in Durham Cathedral for many years, along with the bones of St Cuthbert which still reside there. Ashton’s show also explored the building as an architectural space and its relationship with and historical significance to the City. Ashton and Paul Chatfield evolved the PIGI projection images in collaboration
JAPANESE 昨年11月、
LUMIEREが、 び開催された。 の、
明デザイナー、
英国最大の照明フェスティバル 美しい中世都市ダラムにて再 4晩にわたって、
タレーションやプロジェクションがダラム市 内の建物、
の街に魔法をかけ、 街路、
橋の数々を飾った。
地元や世界で活躍するアーティスト、 コミュニティーグループが冬 息を飲むほどのインス
およそ80名 照
ダラム
の街を訪れた見物客は推定140,000名と、 2009年に行われた同フェスティバル第1回 の動員数の2倍近くに及んだ。 35作品は、
公開された
ンの福音書を映写したCrown of Lightを 始めとする大型プロジェクションから、 ット
ダラム大聖堂にリンディスファー マーケ
せた巨大なスノー・ で多岐にわたった。
・プレイスをプレイグラウンドへと変身さ ドームI Love Durhamま アーツ・イベント会社Ar-
tichoke主催で行われたLUMIERE 2011で は、
北東のアーティスト集団Brilliant、 地元
with musical director Robert Ziegler, who compiled a soundscape for the sixteen minute show. Ashton sourced images from the British Library and also conducted a photo shoot at the Cathedral to record all the architectural and structural elements he wanted to incorporate into the show. The projection system comprised 7 x PIGI 6KW machines with double rotating scrollers, positioned at various distances around the Cathedral - the longest throw distance was 150 metres and the shortest just 20 metres. This was carefully calculated to eliminate any shadowing from the plethora of trees dotted around the Cathedral Gardens - and was also a primary creative and technical challenge of the project. The seven projectors – supplied by White Light - were in six different locations, fitted with five different types of lens, ranging from a 10cm wide angle lens to an 85 cm long throw lens. Images from each individual machine enveloped a separate zone of the
ビルダーMick Stephenson、 してビジュアル・ プロダクト ・デ
ザイン会社DeadgoodのDan Ziglam およ びElliot Brook、
カデミック集団Global Curiosity Group、 アーティストBethan Mad-
ノーサンバーランド大学ア そ
docks とシアター・デザイナー/ビジュアル・ アーティストVerity Quinnの共同制作によ る作品4点も展示された。
CHINESE
去年11月,英国最大型的灯光节 LUMI- ERE,回到了美丽的中世纪城市Durham举 办。整整四个夜晚,大约80名当地及国际 艺术家、照明设计师和社区团体带来了一 系列令人惊叹的安装和投射装置,用灯光装 点Durham的各大建筑物、街道和大桥,为 这座城市带来一缕冬日的魔幻魅力。据估 计,大约有140,00人( 大约是2009年第一届 灯光节的两倍) 走到Durham的街道,欣赏 35件灯光艺术作品,这些作品包括像Crown of Light(光之皇冠)这样的大型投射灯作
Cathedral’s architecture in colourful, bold, detailed imagery. Inside the cathedral, one of the installations that I unfortunately didn’t get to see due to the crowds was ‘Spirit’ by “fire alchemists” Compagnie Carabosse. At its centre, a giant lighted sphere hung in the Cathedral Crossing. A series of lanterns made from the vests traditionally worn by miners led visitors back down the Nave and outside into the garden filled with garlands of flamepots, boilers and other glorious structures laced with fire. The piece gradually came to life each night as one by one the candles were lit, recalling the medieval tradition of the lighting of the Paschal Candle, which in Durham was a structure so high as to reach to the Cathedral ceiling. LAb[au]’s Binary Waves digital installation outside the Radisson Blu hotel consisted of 40 rotating LED panels three metres high and 60 centimetres wide, placed at regular intervals to form a kinetic light wall. The inputs driving
品,将Lindesfarne Gospels(林迪斯法恩福 音书)投射到Durham Cathedral上,还有像I Love Durham(我爱Durham)这样的安装装 置,巨大的雪丘将集市转变成一个游乐场。 LUMIERE 2011灯光节,是由艺术活动公司 Artichoke组织的,包括四件由东北部的艺术 家创作的作品,这些艺术家是才华横溢的: 当地建筑业者Mick Stephenson; 来自产品 设计机构Deadgood 的Dan Ziglam 和Elliot Brook ;Northumberland大学的学术团体组 成的 Global Curiosity Group;以及与剧院 设计师和视觉艺术师Verity Quinn合作的 视觉艺术师Bethan Maddocks。
FRANÇAIS
En novembre dernier, LUMIERE, le plus grand fes- tival de lumière du Royaume-Uni a marqué son retour dans la belle cité médiévale de Durham. Pendant quatre nuits, environ 80 artistes, design- ers lumières locaux et internationaux ainsi que des associations de la ville ont saupoudré une pincée
de de magie hivernale sur la ville grâce une série d’installations et de projections à couper le souffle qui ont illuminé les bâtiments, rues et ponts de Durham. Les estimations de fréquentation indiquent que 140, 000 personnes ont investi les rues de Dur- ham (presque le double par rapport au premier festival qui a eu lieu en 2009) pour apprécier les 35 réalisations qui allaient de projections à grande échelle comme la Couronne de Lumière avec les Évangiles Lindesfarne sur la Cathédrale de Durham, aux installations comme I LOVE Durham (j’aime Durham): un snowdome géant qui a transformé la place du marché en cour de récréation. LUMIERE 2011, organisé par la société d’événementiel Arti- choke, comprenait aussi quatre créations mises en place par des artistes géniaux du Nord-est: Mick Stephenson, constructeur local, Dan Ziglam et Elliot Brook de l’agence d’objets design Deadgood, Global Curiosity Group, un groupement d’académiciens de l’université de Northumberland et l’artiste visuel Betham Maddocks, qui travaille avec le designer d’art visuel et de théâtre Verity Quinn.
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