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Feedback from our pilot schools


We asked three schools to pilot the CrowdFundEd platform. With two of 


THEATRE TRAINING


Kathryn Cox, Director of Science and Technology, Cantell School, Southampton (856 pupils)


THE PROJECT A two-year programme of improvisation workshops


with Pupil Premium students, run by The Point Theatre.  participation, trust, teamwork, listening, literacy


and risk-taking. Schools will receive 30 improvisation workshops per year, a CPD workshop for teachers, 


TARGET: £3,000 TOTAL RAISED: £2,970 NUMBER OF DONORS: 28


PLANNING: I estimate that we collaboratively spent around 24 hours preparing the project, gathering information, marketing collateral and collating our database of supporters.


UPLOADING THE PROJECT: The Fundraising Fellow at The Point Theatre, Claire, uploaded the project – there were a few issues with the text formatting, which were quickly resolved.


LAUNCHING THE PROJECT: We did a soft launch to stir up interest, promoting the project to parents via email and text. Shortly after this, we reached out to a wider


22 SPRING 2017 FundEd


audience via social media. Claire worked hard to gain support from sponsors in the arts sector, as well as a local mortgage broker.


COMMUNICATION: We received quite a few donations within two days of launching. We shared photos, videos, milestones and testimonials throughout. Claire managed and updated the page regularly, as I would  time in addition to my current role. We tried to tailor messages to different audiences, but stopped sending texts and emails to parents after the  much response. Social media was key to maintaining momentum, but as we ran the campaign from July to


August, lots of people were on  back to us. If we were to run a campaign again, we would 


SOCIAL MEDIA UPDATES: CrowdfundEd: A few times during the campaign Facebook: Most days Twitter: Most days School website: Once Email: Twice


MARKETING: We used video clips and photos to promote  to measure the impact of these. Featuring a video on our crowdfunding page was an effective way to explain the aim of our project and why we needed the money, but I only received evidence   which social media channel was the most effective.


OFFLINE DONATIONS: We received £1,500 from the Denplan Community Fund, £280 from Community Kickstarter and £150 from some European teachers who visited our school.


THE FINAL PUSH: Social media was used to create a  days. We asked footballers Matt Le Tissier and Francis Benali to retweet our pleas for


donations, and emailed local businesses. This seemed to work well, and we received a few large donations this way.


TIMEFRAME: The project ran on for 37 days. This worked well but it was a shame that we had to run it in the school holidays – though we needed the funds for September.


REWARDS: These included social media shout-outs, personalised postcards, and an invitation to our end-of- year celebration. However, most people chose not to accept rewards, including four    so we would offer these again.


OVERALL: experience of crowdfunding,   have done it without the partnership with Claire at The Point and Berry Theatre – she put in a lot of time and work. The best thing about the CrowdfundEd platform is that you receive all  reach your overall target, however we did experience some issues. Notably we  emails that were sent out to our supporters, which we would have preferred.


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