ing light with the 24-70mm lens at the same aperture, with the help of a reflector. You might be surprised that the reflector was also used for the walking party above, another ƒ4 shot on the


70-200mm ƒ2.8 L lens – but not surprised that it helped with the bridal shot under arches, below, at the same ISO 400 sweet spot sensitivity, and the same ƒ4 aperture.


The Lowell video light was used for the church interior shot below using the Canon 16-35mm ƒ2.8 superwide zoom wide open at its shortest set- ting – and ISO 800, for once,


to overcome low light. Such consistency helps ensure a film- like feel to the work with plenty of raw file ‘latitude’.


Á www.classicphotogallery.co.uk


MASTER PHOTOGRAPHY 14


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