SPOTLIGHT
Lisa Lisa and the Cult Jam had such an incredible string of hits during the 1980s.
Hearing Lisa’s range, tone and quality anew on her latest Life ‘n Love, it brought to mind another very popular performer Diana Ross. Asking Lisa if she remembered an album Ross did in 1989 called Working Overtime, she enthusiastically responds, “Of course I do. I was raised on Motown so anything and everything that had to do with The Supremes and Martha and the Vandellas and so on and so forth…I really truly, truly enjoyed. As time went on, I needed to put that in there. People needed to feel who I really am when it comes to music. I’m hoping that this album [Life ‘n Love] did that for me.” Her solo CD is definitely packed with sounds of Funk, R&B, Latin, Dance and Pop. The
song “Feels Like Love” makes your head bop and feet move right out of the gate with the slick groove and lyrics. Lisa explains why “Feels Like Love” made such an impression on her, “That was a song that was written already. Marcus Siskind had it and he said, ‘Do you like this?’ and I said, ‘Yeah. But we’re gonna have to change up a couple of things cause I gotta make it my feel…’ To me, it’s all about a feel. If I hear something and I think it’s a hit, I don’t care where it came from, I’m gonna do it. It had that feeling of…it reminded me of when I did ‘Head To Toe.’ I got that same exact feeling. I had to do it.” Lisa Lisa even has a name for certain songs and the way they make her feel. “I call it
‘jeep music.’ You’re driving in a jeep in the summer. Maybe somewhere in Miami and you have the music on blast and that’s the song that’s kickin’.” Lisa Lisa has always had her own distinctive style and finds this so important in main-
taining a solid career in the music business. She elaborates, “It’s very important. If I don’t like something, I’m not going to do it. You won’t get the best out of me. I have to honestly like something. I have to feel it. It has to be about me, for me or I’m not going to do it. I can’t possibly give the audience…my audience especially, who are such loyal fans and followers anything less. I would not want to disappoint them. I have to do something that they’re going to love. Music is my way of speaking to them, my universal language so…they got to feel me.” Lisa’s music has charmed generations of fans. Whether it’s the former teenagers
who now have teenagers of their own or the women who turn her music on to their daughters, nephews and nieces. There is a strong tradition of quality that keeps the music alive. Does she notice this effect in her audiences when performing? “Absolutely. I do these concerts and I see fans from back in the day with their children and their children’s children. I recently did a TV show for Nickelodeon and I played a mom. You see the kids who watched that show. Those kids are now at these shows. It’s great! It’s just awesome to me. I thank God for it.” Show business is hard work when you really strive to be the best you can be. Not a
flash in the pan whose five minutes of fame should have been over five minutes ago. Entertainers have got to hold onto a strong vision of self and at the same time continue to dream big. Even with her success, Lisa still envisions a concept of a dream album she would do. “I would love to do an album celebrating all my women of music from back in the day. Patti LaBelle, Teena Marie…so many, so many. I would love to do an album like that.” It comes to mind that Lisa Lisa could easily and with incredible results create an all- Spanish album of songs. She adds, “I would love to do a Salsa album. But, I honestly have not done it simply because I choose not to sell out. Salsa is my culture (laughter) and if I mess it up, my family would beat me down! No…so I really do want to do it. I’m just waiting. I want to do it with the old-schoolers. I want to go there. I want to do it that way. I want to do it right. If God permits I do something like that…he’s going to bring it to me in the right way.” One beautiful love song is called “I Hold It All Inside.” Her voice is phenomenal and
shows another strong facet of talent from Lisa Lisa. “Stephanie Saraco wrote that song. She’s my manager and best friend for the past 18 years. 80 percent of the album is writ- ten and produced by Stephanie Saraco. We co-wrote and co-produced everything on the album. She is just an awesome artist. She’s just got some funk in her…for a little Italian lady, she’s got the funk in her.” Lisa Lisa was one of the first female artists to crossover in the 1980s from the Rhythm
& Blues charts to Hot 100 to Dance charts. She describes how she felt about this phe- nomenon, “I never realized it. I never focused on it. I started in this business at the young
56
RAGE monthly | MAY 2010
age of 14 with Full Force. It was hard then. It’s hard now. I think it’s getting better for women in the business. Especially me being a Latina…it’s getting a little easier but I think the two things that kept me grounded and kept me going was what my mom instilled in me and the fact that I live for my music. Nothing can discourage me.” It is of my opinion that Lisa Lisa’s voice has matured and is strikingly beautiful in the
ballads and a joy to listen to with her up-tempo songs on Life ‘n Love. Telling her this, she interjects…“Ahhh man! You’re gonna make me cry. Cut it out! Ahhh. Thank you. I’m glad you said it. Nowadays music is so hard to really like. Whatever happened to originality? You know? What happened to it? The time when music was all about the music and not the visual…that’s what we need to go back to. A live band and a live sound.”
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92