This page contains a Flash digital edition of a book.
CREATIVITY:USE OF NARRATIVE


Batman: Arkham City (Rocksteady Studios)


Created with input from the veteran writer of Batman: The Animated Series and Batman of the Future Paul Dini, Arkham City saw players navigate through a story of twists and turns that saw the Dark Knight face off against one of the largest batch of villains seen in a Batmangame.


Dear Esther (Thechineseroom)


Dear Esther sent players across a remote island in the Hebrides, situating its narrative firmly in an ominous isolated environment. With every plot development registered as possible delusions, Thechineseroom have created an experience where everything seems strange and reality may be an illusion.


Driver: San Francisco (Ubisoft Reflections)


The latest instalment in the Driver series offered a brave narrative twist from Ubisoft: ex- detective John Tanner can shift around the city, body-hop and hunt criminals whilst in a coma. The resulting patchwork narrative took players in many directions but never went off- course.


Misfits: Community Service (Mobile Pie)


Proving that narrative and free- to-play can work, this title allows players to receive messages and mini-games from each of the troubled teens from the TV show, giving fans a chance to join the crew of superheroes.


Where is My Heart? (Die Gute Fabrik)


Die Gute Fabrik’s latest is loosely based on developer Bernie Schulenburg's experience during a hike with his mum and his dad that exposed their negative traits. Swapping his parents for a family of lost monsters, the game is a fantastical adventure filled with impressive and evocative visuals.


Zombies, Run! (Six to Start & Naomi Alderman)


Six to Start focused on bringing consumers the most immersieve zombie game around with an experience penned by games writer Naomi Alderman. Players run around their surroundings with compelling audio segments providing instructions.


12 | Develop Industry Excellence Awards 2012


www.developawards.com


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48