This page contains a Flash digital edition of a book.
BOUTIQUE CRUISING


STATELY STATEROOMS


There are six cabin categories on Le Boreal. The lone Arma-


Levant. Jean-Philippe Nuel and his team from the Paris-based BlueOchre Company were responsible for the interior design. Veronique Saadé – a director of Compagnie du Ponant – oversaw the interior colour schemes and furnishing.”


T


here is no doubting Captain Lemaire’s enthusiasm: “Le Boréal is like a Jaguar with its sleek exterior, deluxe interior and superb


performance. These two new ships are a bold move for the company. However, I believe the soul of the company will not be compromised. The new yachts, with their AIC ice-hardened hulls, are an evolution of the core cruising experience offered by Compag- nie du Ponant, but with modern refinements.” Looking towards the future, Lemaire strongly be-


lieves that, with these two new yachts, the company has now reached the maximum capacity to be able to deliver the personalised experience for which they are renowned.


“In the past, expedition passengers didn’t want luxurious touches; but their expectations are chang- ing and they are demanding more creature comforts – especially when they come at the same price,” boasts this amiable Commandant. Conveying just 264 passengers, Le Boréal, with


teure (Owner’s) Suite measures a generous 46.5sq metres; also for- ward on Deck Six are three Deluxe Suites that come in at 28sq m. There are 20


Prestige Suites on Decks Five and Six, which measure 37sq m; these are comprised of two adjoining Prestige Staterooms with connecting doors that can be sold individually. In total, there


are 90 Prestige Staterooms, which span 18.5sq m. There are


also 28 Deluxe Staterooms at 18.5sq m as well as 7 Superior Staterooms at 19.5sq m. These are the only cabin grades without private balconies.


its streamlined superstructure painted in the most unusual colour of taupe, is redolent of a Pacific locomotive so wonderfully encapsulated by the French poster artist Cassandre. However, I couldn’t help feeling the conceptual design was a tad a case of form over function, with the sleek exterior the all-pervading design tenet and the interior spaces crafted to fit. The finish and attention to detail is paramount and it is evident the cynosure design was as im- portant to the creators of the yacht as it was to the architects. The colour scheme throughout is one


Winter 2010 / 2011 I WORLD OF CRUISING


 75


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104