THE GALLERY


Shoreditch post production house Splice provided full post services on Somethin' Else’s seven-part HD music series for Channel 4, Evo Music Rooms. The series is based around live performances and interviews with both unsigned acts and big name talent. The fast turnaround series was shot, edited at full resolution and delivered in just five days per episode. Each episode went from a multi-camera Avid Media Composer offline, handled by Splice’s creative director Duncan Western, through to a Baselight grade where Chris Rodgers gave each performance a distinctive feel, and finally ended up in a Nitris DS online with Adam Dolniak. This final stage involved compositing different posters and flyers onto an urban backdrop for the main title sequence.


Motivational trainer Steve Miller gets flabby families to shape up for Outline Productions’ 5x60-minute Sky1/ SkyHD Fat Families. Footage from an assortment of cameras is loaded onto 4TB of shared storage where it’s selected for the Media Composer edit. Three Avids with analogue Mojos are employed for offline and another with SDI Mojo, for ingest and digitising.


Rainforest Rescue 3D was Red Earth Studio’s first 3d stereo project. “The footage had been through the Iridas system and the convergence process before the online,” says Prime Focus’ Derek McGurk. “Irregularities are much more noticeable in 3d than 2d as they affect the image in one eye and not the other. Once we moved into Nitris DS, the job was fairly straightforward.”


create GALLE RY


07


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28