search.noResults

search.searching

saml.title
dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
retreat. Rhydoldog House has a long history of private owners, which prevented the public from enjoying its arts and crafts stylings and stunning views – until now. “I feel like I’ve democratised the use of the land for social good.”


From 1961, the building was the second home of designer Laura Ashley, who allegedly took inspiration from the nearby landscape for her floral prints. As campaigns such as Nid Yw Cymru Ar Werth (Wales Is Not For Sale) are pressuring the Welsh Government and local councils to increase taxes on second homes and holiday accommodation, Charlotte ad- mits to knowing some of the perpetrators of building fires in long-gone waves of property protests. But the reception around Rhydoldog House has apparently been warmer. In re- sponse, one of the Pop Dungeon tour dates takes the show to the nearby town of Rhayader: “The local community has been totally lush in welcoming me there, so I wanted to give them a little treat.”


For many inside and outside of Wales, the young Charlotte Church represented a certain ‘Welshness’ (outspoken and great at singing) while the country rode the Cool Cymru wave into the marketing-gold era of Doctor Who, the Senedd and rugby successes. As a teen, her per- formances emphasised Welsh language hymns, harps and choirs, but she insists that “we tend to sell ourselves short and make Welsh culture a bit trinkety – coal mines, male voice choirs, rugby and daffodils – when actually there’s a huge depth of culture here and it’s really an- cient.”


Nowadays, she’s spreading pop culture history around the UK. As supporters of the newly re- named Cymru team at the World Cup surprise international audiences with the ferocity of their voices, I ask her whether Pop Dungeon is spreading a potential Welsh tradition: the prac- tice of singing along loudly to anthemic songs in the pubs, chapels and working men’s clubs. She doesn’t see a clear connection between, on the one hand, her childhood of folk tunes and


religious music, and, on the other hand, her cover band. But she’s enthusiastic about tak- ing people on a communal euphoric journey through music in the same way she imagines Welsh chapels may have done for huge crowds in the past.


While Church is passionate about the preserva- tion of Welsh heritage, she sees most forms of nationalism as ugly. Heritage, instead, is made up of living traditions that exist outside of a museum and must be open to change. Reacting to the news this month that Snowden would be renamed to Yr Wyddfa, she’s keen on the idea of returning place names to their original, obscured Welsh. But she urges decision-mak- ers to consider how these actions serve those living in or around a place, including multiple language groups. “It’s got to make sense for the people who call that place home,” she insists.


She ruminates that Welsh culture is still very much rooted in the land, avoiding some of the dangers of overdevelopment. As a result, “the magic in Wales is closer to the surface, and we’d all do well to tap into that.” The Dream- ing intends to do just this: “I can’t tell you how much I’ve fallen in love with the land. I’ve been on a two-year journey to make it worthy of the land it sits in.”


What’s next for Charlotte Church? She’ll hopefully be making some original music, but she’s also doing her best to be a good mother, wife, daughter and friend, as well as heal. Will the Pop Dungeon ever come back? The idea hasn’t been ruled out, but only for charitable purposes.


This winter, then, might be the last chance to hear Pop Dungeon’s unique transitions be- tween the E.T. theme, King Crimson, Black Sabbath and En Vogue, in a setlist full of sneaky Easter eggs. “There are loooads that make you go ‘ahh my god that riff!’ They exist on the perimeter of our aural perceptions.” I ask for any clues for finding them. She responds with a playful “You’ll have to be there!”


Charlotte Church’s Late Night Pop Dungeon,


The Lost Arc, Rhayader, Sat 10 Dec. Tickets: SOLD OUT. Info: thelostarc.co.uk


Depot, Cardiff, Wed 21 Dec. Tickets: £25. Info: depotcardiff.com


The Dreaming,


Rhydoldog House, Cwmdauddwr, Rhayader. For bookings and prices, go to thedreaming.co.uk; pay-what-you-can options available upon enquiry.


11


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80