THE INSIDE TRACK ON LONDON’S NEWEST FILM AND HETV FINISHING HOUSE


Bleat Post Production is not just another London picture and audio post house. What sets Bleat apart is that from a blank canvas and working with the very best in the business, Bleat has been built to the very highest acoustic Dolby Atmos Theatrical and HETV specifications utilising state-of-the-art technology and with an exceptional attention to detail. Audio recording and mixing rarely sounds this good.


THE MANAGEMENT TEAM


Tristin Norwell has a rich history as a music composer, producer, mixer, arranger, and musician, working with David Holmes on the music score for the Killing Eve series and Yann Demange’s critically acclaimed ’71 and with Adrian Corker for Tin Star and many more. Norwell has also scored multiple feature films including John Hardwick’s Svengali. His music recording and mixing credits include working with Madonna, Tricky, Neneh Cherry, Goldfrapp and Talvin Singh for his Mercury prize-winning album.


Tristin’s business partner and wife, Sarah Withers began in music management with Sade and then Rough Trade Records. Prior to Bleat, Sarah and Tristin had built the prestigious London Lane Studios, also in East London. Tristin comments, “what London Lane taught us was that our model works as a high-end, boutique experience. We’ve worked with high calibre creative people and artists all our lives. We understand what lies behind a really good service. The way it looks and feels is imperative – to create a calm space - but also having the very best acoustics and state-of-the-art technology within a flexible and malleable infrastructure.”


Matt Edwards (Azimuth, Fifty Fifty) is Head of Technical Operations and Saxon Greenep (Splice, Jigsaw) is Head of Audio. Dan Pagan looks after sales and Tatiana Shelbourne operations and ADR management with Max Norwell in management assistance.


bleat.tv OUTSTANDING IN THE FIELDS


Based in Hackney, Bleat Post Production is a boutique post house with owner, atmos music mixer and composer Tristin Norwell in residence.


Bleat offers theatrical and high-end television Dolby Atmos mixing along with colour grading, and online conform for scripted drama and documentaries. Bleat’s six Hackney-based rooms are all Dolby Atmos certified with two luxurious theatrical Dolby Atmos theatrical mix stages and an additional four multi-functional, hybrid suites that can be employed for colour grade, online and conform and/or Dolby Atmos HETV. All the rooms are fully networked for sharing live projects as they develop.


Bleat is the perfect destination for directors, performing talent, and creative operators to come together and master full sound and picture finishing and even take over the whole building for a project, while the multifunction edit rooms could be used in isolation to provide full post for a documentary in a single room.


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