SURVEY
FACILITIES 50 NEW BUILDS
1
and Dailies software. Radiant Post is opening a new
facility in Manchester, Radiant North. The 8,00 sq. ft Radiant North will offer picture post, finishing and audio creative services. Gravity Media is to launch its
second London Production Centre at White City. The new Production Centre will showcase Gravity’s technical facilities and joins its current other global Production Centres in London’s Chiswick, Manchester, Sydney, Melbourne, and San Francisco. Cinesite London moved its HQ
2
from Medius House to 10 Little Portland Street. The studio is now spread over five floors, with multiple theatres and a roof terrace. Glasgow’s Serious Facilities
3
expanded and took on a new building to go alongside its FilmCity HQ. Run VT took on a third premises on 46 Charlotte Street, offering another 13 offline suites and an additional two audio suites with voiceover. Time Based Arts in the Old Street area took on the top floor of its base and now operates from the whole building in Curtain Road. Outpost VFX expanded both regionally and internationally with the Bournemouth company adding a new 15,000 sq. ft Montreal studio plus new LA, Mumbai and London studios. Fifty Fifty opened a new building
in Livonia Street, close to its existing Soho base on D’Arblay street. The building has new offlines and finishing suites. Ghost VFX took on new premises
in Livonia Street along with the expansion and consolidation of its previous Lexington and Newman Street sites. Electric Theatre Collective
1 Bleat’s new Hackney set up 2 The new theatre at Molinare’s Soho base 3 Gorilla’s new Bristol outpost
invested in its Whitechapel studio as the company pushed further into long form work. Bespoke suites have been designed along with a dedicated cinema screening room (“in the pipeline”) for reviews. Clear Cut Group opened its new
Dolby Atmos audio mixing theatre at its Bayley Street facility. The 9.1.4 speaker configuration offers the “maximum flexibility” from full spatial audio mixing for HETV workflows through to stereo.
Winter 2022 F35
televisual.com
Evolutions expanded its flagship
Sheraton Street facility in Soho with the addition of a new floor with 22 additional offline suites. The new floor also comprises 20 new production desks, as well as soft areas and meeting rooms. Freefolk is moving to its new site in
Spitalfields East London in early 2023. After 20 years in Soho, it moves to the new space next year in three Georgian townhouses “made into one amazing workspace.” ENVY expanded the number of
studios offering Dolby Atmos bringing the total to three and its on-set workflow team CAPTURE opened new headquarters in Bristol. Adam Luckwell and Michael Elson
set up Misc Studios, a new VFX house dedicated to high end VFX production. It is based in London’s Noho area on the northside of Oxford Street. Misc plans to grow to 200 in London and expand to a similar size internationally. Production and post group Film
Soho opened central London Virtual production studio, V-Studios, in 2022. The V-Studios facility will be based in Portland Mews Soho. The facility will complement Film Soho’s recently launched ADR unit KrADR. Doc production company, Frith
Street Films, has opened its Soho edit space to outside hire. Situated across the three-storey building, there are seven rooms available of varying sizes and all with windows. Core Post expanded into
previously unused space in its building and Bristol’s Doghouse has added additional floors and an additional studio. The Ark expanded its Kings Cross facility adding two new suites and No.8 London added a second Soho building, doubling the footprint and capacity of the business. Onsight added another finishing suite with a new offline suite being built and Selected Works moved to new premises. Directors Cut added the sound
company Portland Audio to the group as well as an extra floor in its facility and audio post production group Vaudeville Sound opened more Dolby Atmos, ADR and voice capture studios at its Shoreditch base.
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132 |
Page 133 |
Page 134 |
Page 135 |
Page 136 |
Page 137 |
Page 138 |
Page 139 |
Page 140 |
Page 141 |
Page 142 |
Page 143 |
Page 144 |
Page 145 |
Page 146 |
Page 147 |
Page 148 |
Page 149 |
Page 150 |
Page 151 |
Page 152
