TOP 50 FACILITIES 50
SURVEY
10
HALO
halopost.com Noel St, Dean St, Wardour St, Berwick St, London md Marcus Bayley ceo John Rogerson fac mgr Lewis Townley genres TV, film credits Welcome To Earth, Our Universe, Rogue Agent services audio (5.1, 7.1, Foley, ADR, Atmos HE + T), grading (HD, 4K, HDR), editing PRODUCER 15th PEER 2nd
Our Universe
Halo says that “getting back to ‘normal service’ after the disruption of the pandemic has been great” and that “the team has risen to the challenge of servicing the busiest year we’ve ever had.” Alongside that, Halo moved to Baselight, invested in more Flame for more UHD/HDR work and invested in Nexus and “new senior operations roles were recruited.”
11
COF FEE & TV
coffeeand.tv Broadwick Street London ceo Derek Moore md Leonie Moreton genres TV, ads, corporate, promo, film credits Main vfx Peaky Blinders S6; Sky Sports F1 title sequence, Google Pixel World of Magic services audio (5.1) grading (HD,4K,HDR), vfx (2D, 3D, anim), editing, restoration PRODUCER 11th PEER 6th
Sky Sports 2022 F1 title sequence
This year, Coffee & TV launched its new picture- finishing house for film and episodic, Residence Pictures, “designed to be the home of collaboration, inclusion and imagination.” Coffee & TV is on the move too, with a new 8,000 sq ft home in Farringdon planned “and we are excited to move there before the end of the year.”
12 EVOLUTIONS
evolutions.tv London and Bristol md Jonathon Kemp CTO Owen Tyler sales dir Darren Musgrove genres TV credits Married at First Sight, Predators, SAS: Who Dares Wins services audio (5.1, Atmos HE), grading (HD, 4K,HDR), vfx (2D, 3D, anim), editing PRODUCER 8th PEER -
This year, Evolutions opened a new floor in its Sheraton St HQ with 20 new suites. There’s also two new grading suites in London and it’s upped its Dolby Atmos capability with 2 new audio suites. It’s also increased its US client base with work for the likes of FOX, Disney + and Netflix.
13 SPLICE
splicepost.com Shoreditch/ Old St md Richard Folley genres TV, film, ads, promos, corp credits MasterChef, Jimmy Savile: A British Horror Story, All or Nothing: Arsenal services audio (5.1, 7.1 Foley, ADR, Atmos HE + T), grading (HD,4K,HDR), editing PRODUCER 11th PEER 26th
Splice says “the continued growth of our team with standout talent has been a highlight. In a competitive landscape we continue to expand and attract the best talent meaning we can continue to deliver to a very high standard.”
14 GORIL LA
gorillagroup.tv GloWorks Cardiff; Bristol md Rich Moss fac mgr Eve Moss genres TV credits Doctor Who, Industry, Countryfile services audio (5.1, 7.1, Foley, ADR, Atmos HE), grading (HD, 4K, HDR), vfx (2D, 3D, animation), editing, hire, TV studios PRODUCER 18th PEER 19th
“Opening up a new facility in Bristol and then immediately doubling its size,” was a highlight for Gorilla this year. But, it says, there are challenges across the board. “The cost of staff and freelancers has risen dramatically through supply and demand.”
15 LIPSYNC
lipsyncpost.co.uk Wardour St, Dean St London mds Peter Hampden, Norman Merry fac mgr Lisa Jordan genres film, TV credits Living, The Ipcress File, Save the Cinema services audio (5.1,7.1, Foley, ADR,Atmos HE+T), grading (HD,4K,HDR), vfx (2D, 3D), editing, scanning, restoration PRODUCER 48th PEER 26th
Lipsync says it has “seen an increase in US based independent producers coming through our doors in the past few months with big size projects that benefit enormously from the weakness of the pound against the dollar.”
Married at First Sight
All or Nothing: Arsenal Winter 2022 F42
Industry
televisual.com
Living
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132 |
Page 133 |
Page 134 |
Page 135 |
Page 136 |
Page 137 |
Page 138 |
Page 139 |
Page 140 |
Page 141 |
Page 142 |
Page 143 |
Page 144 |
Page 145 |
Page 146 |
Page 147 |
Page 148 |
Page 149 |
Page 150 |
Page 151 |
Page 152
