EXCLUSIVE INTERVIEW
I recently had the pleasure of sitting down with BIIAN- CO, an artist who isn’t just pushing the boundaries of electronic music but also creating new paths when it comes to technology, inclusivity, and the rave experien- ce. They’re someone who takes their artistry beyond just beats and sounds—it’s about connection, identity, and building spaces where everyone can thrive. In our conversation, they opened up about everything from their approach to live performance to their journey in the electronic music world, and even their personal ex- perience as a disabled and neurodivergent individual navigating the industry. It was a conversation full of insight, heart, and hope for a more inclusive future in music.
CRAFTING MUSIC WITH TECH AND HEART
So often, we hear about DJs and producers getting caught up in the latest gear and gadgets, but for BIIANCO, it’s always about enhancing the music itself.
“I live under the philosophy of integrating live elements only when they truly enhance the sound, not when they diminish it.”
They told me when I asked about their use of analog instruments in their performances.
“Unless it’s a fully live show where everything is analog, I don’t see a reason to incorporate a live element into a DJ set if it’s not going to enhance the overall sound.”
“They’re all about making the sound better, not just more complex for the sake of it. Their setup includes a Native Instruments Maschine+, which they use for syn- ths, vocals, and samples during their hybrid DJ sets”.
I found particularly fascinating that, unlike many DJs who link analog gear to CDJs to keep everything in sync, BIIANCO prefers to beat-match live. That means they’re doing the real-time mixing without relying on automation—and that’s where the magic of live per- formance happens.
“I like to build songs within the transitions,” They exp- lained.
Their technical background as an audio engineer allows them to experiment with structure and flow in ways that give the performances a unique energy. You can tell they are constantly thinking about how to elevate not just the tracks, but the overall experience for the audience.
THE SHIFT FROM INDIE TO TRANCE
When I asked BIIANCO about their transition from the indie pop world to electronic music, their response was so honest and relatable.
They didn’t shy away from admitting that it wasn’t a seamless transition, especially because pop music, es- pecially in the U.S., is often packed with sonic layers.
“I wanted to make music that was inherently rooted in technology and sequencing,” they said.
“I was drawn to creating music where it was less about my narrative as a vocalist and more about the energe- tic experience I was offering the audience.”
This was such a great way to put it. For BIIANCO, electronic music isn’t just about storytelling through lyrics—it’s about creating an immersive environment where people can feel and experience something much bigger. But they also admitted that the minimalist na- ture of techno was something they had to adjust to.
“The biggest challenge was learning that techno and dance music, in general, are inherently minimalist,” they said.
It was only after they moved to London in 2021 that they truly found their sound. London’s underground scene, they explained, allowed them to immerse them- selves in hard groove and hard trance.
“It was the best decision I could have made,” they told me.
ACCESSIBILITY AND INCLUSIVITY: MORE THAN JUST BUZZWORDS
What really stuck with me during our conversation was BIIANCO’s dedication to making rave spaces accessi- ble for everyone—especially those with disabilities. As a partially blind person, they have experienced firs- thand how clubs and festivals often overlook the needs of disabled attendees and artists.
“Rave spaces are not very accessible to people with disabilities. We struggle a lot to find the support we need to enjoy and thrive in these spaces.”
For example, in their rider, they always ask for a sma- ll flashlight in the DJ booth, but in the past six mon- ths, no venue has provided one. Their voice softened as they continued, but the frustration was clear:
“We’re not asking them to turn on all the lights or take away the lasers. The things we need are so minimal to the overall club experience that it’s just ridiculous they haven’t been implemented yet.”
It made me think about how simple accommodations could make such a huge difference—and how these small changes wouldn’t alter the experience for anyo- ne else but would allow disabled ravers to fully enjoy the event.
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