me to a distinction that I think is very important, which is between cultural appropriation and cultural respect, between ripping off genius and paying homage to that genius. I think there’s a big difference. One steals while the other honors and elevates”.
This understanding not only informs their musical choices but also shapes the atmosphere they cultivate during their sets, inviting attendees to engage with the music and each other in meaningful ways. Still, With genres constantly evolving and boundaries being blu- rred, the act of playing with silence and space in music has changed over time. About this S.A.M reflects
“Just from a technical point of view, the high fideli- ty in production, rendering, conversion, and playback has reached new levels. I don’t equate new with better though, just like I will always value the ear more than whatever monitors you have in your studio. I love lis- tening to music on my shitty old Philips stereo system from the early 2000s (the kind that can load three CDs at once and has a tuner as well as two cassette decks). I love it because the sound gives me a feeling. Most of the popular music from that era, which I still think sounds crazy good, was meant to sound great on such a commercially available system”.
Of course, it cannot possibly reveal the detail or spa- ce of a modern-day hi-fi system, but it makes me feel a certain way. So to answer your question I think it’s become increasingly possible to tell a sonic story in a lot more fidelity detail, but I don’t think at all that this is synonymous with a stronger feeling in the listener”.
“Currently, it seems like a mainstream house and te- chno scene has evolved which doesn’t seem interested in the importance of silence. When a night at the club consists of constant bass heavy drops, snare rolls, and vocals screaming something like “I’m Losing It”, then I don’t think it’s been a very inspiring or dynamic night. I would find it extremely exhausting – and I’m already exhausted. Relax. I do think that this exhausting com- mercial part of the scene will face a Dubstep or EDM death and get replaced by another profitable exploita- tion, but underneath there will always be leaders who keep it real and dare to resist the pressure of giving people their expected fix and instead provide a spiri- tual sonic prescription. This is where my focus is. Where I hope it’s going”.
Exploring the connection between music and silence, S.A.M. emphasizes the importance of moments of sti- llness within their performances.
“In a world filled with noise, it’s crucial to find those moments of peace—music gives voice to what silence cannot express,” they note.
This philosophy allows them to create an immersive ex- perience where the audience can engage with both the music and their own thoughts. S.A.M. recognizes that in the fast-paced world we live in, taking a moment to pause and reflect can be revolutionary in itself.
The evolution of their sound is deeply intertwined with their personal journey. They have crafted a unique style that blends various genres, drawing from am-
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bient soundscapes and pulsing rhythms to create so- mething distinctly their own.
“My music reflects my experiences and the world around me. I want to share that journey with others, to invite them to explore their own narratives through my sound,” S.A.M. explains.
This personal connection to their art makes each per- formance a reflection of their identity and a celebra- tion of shared experiences among their audience.
S.A.M. also embraces the notion of inclusivity in their work. They are committed to creating a welcoming en- vironment within the club scene, where diverse voices and identities can be celebrated.
“Music should be a space for everyone, regardless of background or identity,” they assert.
This dedication to inclusivity not only shapes their mu- sic but also informs how they interact with their au- dience, ensuring that everyone feels valued and em- powered in the space they create.
As they gear up for their 2025 live performance, S.A.M. is keenly aware of the responsibility that comes with being an artist. They understand the impact of their work on the audience and strive to make each expe- rience transformative.
“I want people to leave my sets feeling something pro- found, whether it’s joy, sadness, or reflection. If I can create that space for them, then I’ve done my job,” they say.
This commitment to authenticity and emotional con- nection speaks to the heart of what it means to be a performer in today’s music landscape.
Looking ahead, S.A.M.’s vision for their career conti- nues to evolve. They express a desire to push bounda- ries and explore new territories in music, saying,
“I believe in the power of innovation. Music is constant- ly changing, and I want to be at the forefront of that evolution.”
This drive to innovate is not just about personal grow- th; it’s about contributing to a larger dialogue within the music community, encouraging others to experi- ment and redefine what music can be.
As we delve into S.A.M.’s world, it becomes clear that their artistry is about more than just rhythms and beats; it’s about creating a space where stories can be shared, identities can be celebrated, and silences can be respected. They are shaping the future of live elec- tronic performances by honouring the past and foste- ring inclusivity in their artistry.
“I came from a church community where you better be straight and cis-gendered and it wasn’t until I found electronic music that I found a strong non judgemen- tal community of all ages, colors, and genders. Here I didn’t feel judged. I think you can tell if a place is part of the resistance or not. You can feel it. I think there’s – to use a church term – something prophetic about the real scene.
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