There’s a promise in the foundation of our community that stands in direct opposition to the dividing political messages of the media and politicians today. A promi- se of inclusivity, that you are welcome. That discrimina- tion is death, and love is life. If you arrive in a space and you don’t feel that safety or that inclusivity, if all ar- tists or personnel or music in the ether is white or male, then no, you haven’t found a place of resistance in line with the origins of our culture. If you want to play in the venue or video stream wearing a Keffiyeh in solidarity with the oppressed in Palestine but are told you can’t, then you know this isn’t a place of resistance but rather one that seeks to capitalize on a white or pink washed fake appropriation of the real scene. I think it’s impor- tant to discern conscientiously where you go out”.
Not all places with a beat will liberate you or are for a liberated you. I do think however that there are people and spaces out there that dare to resist, which are truly in one way or another rebellious to certain aspects of toxic culture. I think the challenge however is for spa- ces to align themselves with the intersectionality of the various issues.
You resist discrimination better when you not only pro- test for trans rights but see the interconnectedness with colonialism and protest the ethnic cleansing of Palestinians due to settler-colonialist imperialist ex- pansion. I also don’t want to come at people with a lif- ted finger, but as a reminder of our scene’s birth out of an experience of oppression and liberation, and its inherent call to do what you can to resist oppressive policies and systems, through our community’s original radical spirit of collective liberation”.
On a personal note, I find S.A.M.’s approach to music deeply inspiring. Their ability to weave together ele- ments of silence and rebellion in the club scene reso- nates on a personal level, reminding me of the powerful role music plays in our lives. In times of turmoil, mu- sic becomes a refuge, a space where we can confront our fears and celebrate our joys. S.A.M. embodies this ethos beautifully, and as they prepare for 2025, I can’t help but feel excited about the journeys they will take us on.
Ultimately, S.A.M. serves as a reminder that music is a profound partner in our lives, one that allows us to navigate the complexities of existence. Their commit- ment to honouring silence while celebrating communi- ty is a revolutionary act in itself, inspiring us all to dan- ce to the beat of our own stories. As the anticipation builds for their next live performance, it’s clear that S.A.M. is not just an artist to watch; they are a move- ment in the making, guiding us through sound, silence, and everything in between.
Text by: Sergio Niño
Photo: Rianon Vran, Make-Up and hair: Olivia Nwachukwu, Styles from Soba32 -
mixmagit.com 115
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132 |
Page 133 |
Page 134 |
Page 135 |
Page 136 |
Page 137 |
Page 138 |
Page 139 |
Page 140