search.noResults

search.searching

saml.title
dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
EXCLUSIVE INTERVIEW


Known for her deep connection to Ibiza’s vibrant mu- sic scene and her impressive international presence, Tur’s 2024 has been a year of remarkable milestones. From sharing the stage with legends like Carl Cox to launching her label, LOWLITA Records, Tur’s journey is a testament to her passion and resilience.


PERFORMING WITH LEGENDS: THE CARL COX EFFECT


One of the most exciting aspects of Anna Tur’s 2024 tour has been her performances alongside Carl Cox at major festivals such as Panorama, Kappa Futur, and ULTRA Australia. For Tur, this is more than just an opportunity; it’s a dream come true.


“Carl Cox is my ultimate reference,” she says.


“His respect in the industry is unparalleled, and sharing the stage with him brings a huge responsibility.”


Preparing for these performances requires meticulous attention to detail. Tur spends hours listening to mu- sic, carefully selecting tracks that fit her sound while ensuring they align with the high standards expected when performing alongside a legend like Cox.


“There’s always a bit of nervous excitement,” Tur ad- mits.


“I strive to deliver a quality, coherent, and professional session, not just with Carl but in each of my perfor- mances.”


The influence of sharing a stage with Cox extends be- yond technical preparation. Tur acknowledges that having such a revered figure in the industry as a peer not only inspires but also adds a layer of emotional in- tensity to her performances.


“It’s a true honor, and I always have butterflies in my stomach when I share an event with him,” she adds.


From Brunch Electronik in Barcelona to Medusa Festi- val in Valencia, each festival presents its unique ener- gy and challenges. Tur’s approach to preparing for the- se diverse events involves several factors.


“First, I consider the tendency of the venue and its mu- sical environment,” she explains. “I aim to stay true to my sound while adapting to the specific atmosphere of the event.”


The scheduling of her set is another critical element. Tur emphasizes the importance of crafting a set that maintains a sense of harmony from start to finish, ta- king into account the time slot and the overall flow of the event. Additionally, the characteristics of the ve- nue—whether open-air or enclosed, sandy or paved— play a significant role in her preparation.


“Understanding the venue helps me tailor my perfor- mance to fit the environment.”


The lineup of artists performing before and after Tur is also a key consideration. By studying her fellow perfor- mers, she ensures that her set complements and tran- sitions smoothly into the overall event experience.


“It’s about creating a cohesive experience for the au- dience,” Tur says.


THE PYRAMID AMNESIA RESIDENCY


Anna Tur’s involvement with Pyramid Amnesia and its world tour marks another significant chapter in her career. Although not a full-time resident, her role with the Pyramid brand and their events at Amnesia Ibiza has been pivotal.


“I love the values of the brand and the concept of the party. The team behind it and the venue, Amnesia Ibiza, make it a special experience.”


Touring with Pyramid has also given Tur the chance to connect with her fellow DJs on a personal level.


“Traveling together, we get to share laughs and good times, which makes the experience even more enjoya- ble,” she reflects.


This camaraderie is a highlight for Tur, as it adds a per- sonal touch to her professional journey.


When asked about the most memorable performance of 2024, Tur highlights a few standout moments. One of the most significant was her set at the Ultra Mu- sic Festival in Melbourne, where Carl Cox joined her on stage.


“It was a truly unforgettable moment,” Anna recalls.


“Carl was on stage with me, and at one point, he took the mic and introduced me to his Australian audience. We danced and jumped around with big smiles on our faces.”


Another memorable performance took place at Brunch in Barcelona, where Tur played between Frankie Wah and Carl Cox.


“The energy from the audience was incredibly strong and special,” she says. “I felt very good, and the expe- rience remains close to my heart.”


THE IBIZA SEASON: A LOCAL’S PERS- PECTIVE


As a native of Ibiza, Anna Tur has a deep connection to the island’s music scene. Reflecting on the Ibiza season of 2024, she notes both the successes and challenges.


“We’ve had many successful seasons with sold-out events all over the island. However, this year, there’s a significant housing problem for seasonal workers and those looking for long-term rentals. It’s becoming a se- rious social issue.”


Tur highlights the disparity between the island’s luxury image and the reality faced by many workers.


“We have settlements of caravans and ‘shacks’ in va- rious areas of the island. It’s an issue that needs to be addressed urgently for the sake of dignity and security.”


Despite these challenges, Tur remains optimistic about Ibiza’s role in the global electronic music scene. She mentions the opening of the new club UNVRS, which is expected to bring fresh energy to the island.


“Ibiza is a place with a lot to offer,” she says. “I hope this new development doesn’t overshadow the classic clubs that have always been part of our essence.”


mixmagit.com 59


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140