CUniEROEADVERTISER&TIMES
www.clithoroeadvertiser.co.uk Thursday,Aprii25,2013 irsday,April 25,2013
www.clitheroeadvertiser.co.uk CUIHEROEADVERnSERSTIMES I
M tB M O O X t lM B K A H jn ~ n TAE HWOM n o K E E P E IT
^aSEWEIiSHT ^ E T tW s ifA P E ^THESS HEUEE
MUSBLE taiVE ^ELF nEEEIVBE
The Esk Valley, NewZealand wine competition attracted a huge postbag. The winners who each received a bottle of
Esk Valley SauvignonBlancand a bottleof Esk Valley Mer- lo^ Cabernet and Malbec were Mrs Margaret Redding of
. Clitherae and Mrs Liz Evans of Simonstone. Thankstoallconcemedfortheir'generoussupport.
Riclq,-ChampRsJosefTT.eFoolfl7ftirn'd"0" ; ^ ^ ^ One man’s meat...
Brave and thought-provoking play by writer-in-residence REVIEW
Cannibals: Royal Exchange UntilApriI27th •
by Pippa Munro Hebden
From Helen Mirren in “The Audience" in London to Ony
Uhiara in “Cannibals” in Man chester in 48 hours, this thea-
l ' 7 e reviewer has an amazing
variety of dramatic experi ences!
-
The Royal Exchange is putting on a brave and thought-pro voking world premiere of a play by Pearson writer-in- residence Rory Mullarky, who
studied Russian at university and began his career translat ing Russian plays. After his stint at the Royal Exchange* he went on an ex tended trip through Russia
and was struck by acts of can- nabalism in the 1930s. He describes his play as a jour ney, imaginative and bold, lam rather at a loss for words to comment on the results. It is an experimental and chal- lengingpiece of theatre. I was totally engrossed in the plot, as were my companion and other friends I have spo ken to since.
. '
It follows the life of Lizaveta (an incredible performance
from Ony Uhiara) in some pos sibly Ukrainian/ Siberian/
distinctlyrural/primitive ar ea, torn apart by war, which
inevitably leads to privation andstarvation. ; ’
I don’t want to give away the sequence of events because
the sense of uncertainty about
whatisgoingtoHappennextis p p t of the excitement.
Ricky Champ, Laurence Spell man, Tricia Kelly and Simon Armstrong play a variety of roles in Lizaveta’s life* sup ported by an ensemble that
appears in the final dramatic scenes.:
I am still thinking about all the possible svmboli.qm
which I am not sure I under stood. I could engage with the twists and turns of Lizaveta’s • life that came full circle in a
way in some veiy clever clos- ihg episodes. I am still not sure about the cannibal and meat references (except to re
late them to the way in which human beings exploit other
human beings) or. the cling film wrapped furniture, but Ms Uhiara’s central role is spellbinding. I will long re member her monologue on her early life! The Royal Exchange design
team excels again in a display of pyrotechnics and a myriad
Panic makes for a REVIEW
Pan ic STATIONS StageTwo Dowriham
byKimCroyden
Large audiences thoroughly enjoyed Stage Two’s latest production, “Panic Stations” directed by Lesley Haworth. The curtains rose to re veal a creative set of a half- timbered cottage bought spontaneously by Chester Dreadnought who arrives to find an attractive woman waiting for him in her dress
ing gown! Since his wife and mother-in-law are expected soon, this signals the start of
an ever more complex series of tales and excuses which lead us into a typically farci- • cal plot.
Successfifiproductionsneed paceandthiswasmaintained
throughout. There was great characterisation of all the roles, most notably by Bob
Cleevewho played thepartof Abel Bounty, a local “yokel” . who had turned up to help
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I prepare the house. He brought loud laughter
whenever he appeared. Bri an Haworth, an experienced
actor in farce held everything together well in the role of
Chester andconveyedso well an increasing sense of panic.
Chester’swifeandmbther-in- law were effectively played by
KellaBowersandAnnie Wild- man respectively.
' Miss Partridge, played so wonderfully by Jean Pells, drives to “breathe fhe histo ry” ofthe old building. Kenny Entwistlewasatotallybeliev- able army sergeant and Tom Garner as LordElrood who is totally “bonkers” and tries to
t shoot anyone he perceives as heenemy.
Finally, we had a wonderful cameo performance by Stella Barnes as Mrs Bounty. Con
gratulations go to Stage Two for another great evening.
*
Wendy Watson played the part of Carol who veiy inno cently tried to get her wick ed way with Chester and conveyed so well the “dumb blonde” character!
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REVIEW
TrePketttThings AtThe G r a n d , ■
ByBigGeopge-
: It was a historic night at The Grand when the group.who
" outrnastied the Stones in the - . 1960s hit town.
. . + ■- -The Pretty Things (Mark
■ to a series of covers from the 60s, fully appreciated by the audience. : . "v ,
Then “The Pretties” came on, led by original member
4i 5.6?),treated a disappoint-, ing turnout to the full range of their repertoire, garnered over the last 50 years. The stay-aways missed a treat. LFirst on stage, Kelly’s He roes treated the sparse crowd
-
Phil May on vocals and Dick Taylor on guitar.
. trademark heavy R ‘n’B. With the band tight as a
- \ Augmented hy, guitarist Frank Holland, a youthful rhythm section of drumrher Jack Green and bass player George Perez,-they imme diately launched into their
nut, they hit the right note with “Big Boss Man”, and-
“Mama Keep Your Big Mouth Shut” before a brilliant “De fecting Grey” led them into
the whimsical psychedelia of rock’s first opera S.F. Sor
row (sorry, Pete T.) faithfully reproducing the full set high lighted by “Balloon’s Burning” with Taylor’s lead work hint ing at where Carlos Santana
was to go years later. A bril liant section, worth the ticket
pricealone.v , Next,DickTaylor’ssubIime
acoustic/slide set, with Frank swopping guitar, for harp. Jack keeping time with just bass drum and Phil’s voice at its bluesiest. ■
-
the Taylor groove took us into more classics; “Get The Pic ture”, “Midnight to Six Man”, '
Electric guitar back on, “Can’t Judge a Book”, “Moria”
• overdrive using distortion, wah-wah and string bending tothemax. . , Frank donned a 12-string acoustic for “Honey I Need” • then back to his brilliant Tele
caster for a rousing “Rosalyn.” BriUiant!
'
and “Don’t Bring Me Down”. Finally a B-side “LSD” com pleted the set with Dick in
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