THE JOURNAL
MAKING MATTERS N
Shining brighter than ever, Design Centre, Chelsea Harbour continues to stake its claim at the heart of design and decoration. Famous as a bastion for interiors, it is also championing the world of craft
ow in its second edition, contemporary craft
fair Artefact Interior design plays a vital role in placing craft at saw an array of
astonishing work, including museum- quality pieces from around the globe,
with 17 galleries showing their work across the Design Avenue. Designers, architects, collectors and enthusiasts experienced the joy that handmade objects can bring. “I always really enjoy interacting with craft galleries,” said Jo Le Gleud, co-founder of Maddux Creative, at an accompanying Conversations in Craft session. She started her career as an embroiderer in the fashion industry, and her sensibility to craft-making is something unique that she brings to her interior design practice.
the heart of homes, hotels, yachts and public spaces. Leading names including yacht designer Terence Disdale, as well as decorators David Bentheim, Fiona Barratt Campbell and Ian Smith, amongst others, made a beeline for Artefact to discover, learn and connect with remarkable design talent. Juliana Finn, co- founder of Cavaliero Finn gallery, has always wanted to bring craft into the home. “We’re very conscious to have objects on the table, works on the wall,” she says. “The dialogue is very important to us, we think about how sculptures work with paintings, how metalwork works with weaving, and how the weaving colours work with the ceramics.” The gallery’s curatorial choices are
Artefact 2022 was all about joyful colour – and the joy of the handmade. Pictured are pieces by Steven Edwards and ceramics by Jo Taylor at Vessel Gallery in the foreground, and art by Sanaa Gateja at 50 Golborne and Eric (Mungi) Barney at Toad-JGM Gallery in the background
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