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joy, and so much more. They can be calm retreats or places to entertain, filled with friends and family. Anything that raises interest in interior design is vital, but the WOW!house, our biggest project to date,
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was aptly timed. There is something so important about walking through a designed space, rather than just seeing it in print or online. Not only is it transportive, it shows you how to create rooms and inspires you with original design ideas. You learn about colour, pattern, space, lighting and floor plans – how to integrate details such as art into a room. What was achieved by the designers and generous sponsors was simply remarkable, and we were delighted that thousands flocked to see it. More than a design resource, the Design Centre is a thriving platform, both creatively and commercially,
for an exceptionally dynamic industry. This year will see more exhibitions in the Design Avenue, and more curated events that will enhance the annual programme. A world of exciting design awaits and I couldn’t be more thrilled to have a front-row seat.
here’s a fascinating synchronicity that occurs in design. This kind of serendipity is intriguing, and it has prompted me to pay attention to the meaning of home. Our homes tell stories about us. The ways we choose to decorate the places we inhabit paint pictures of our personalities, offering insights into our minds and hearts. Homes are powerful – they offer sanctuary, comfort,
Claire German CEO, Design Centre, Chelsea Harbour
ON THE COVER: ‘Karabali Print’, wheat, Brunschwig & Fils
ABOVE: ‘Cabrera Stripe’ fabric (JA82/01), multi, Jane Churchill at Colefax and Fowler. ‘Sunflower’ wallcovering, ottolenghi spice, Watts. ‘Barbie’ ruche, bespoke, Watts. ‘Belen’ fabric, coral, Savel Inc at Alexander Lamont + Miles. ‘Windsor Quart’ flower rosette, Watts. ‘Beach Club’ fabric (10953.70), Nobilis. ‘Alvery’ rosette, Watts. ‘Medici Quart’ rosette, Watts
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