FOCUS 55
Project
Six St Andrew Street, London
Left and far left Nine floors of ofices are available as managed workspaces
BARR GAZETAS’S deep retrofit of a 1999 office building in Holborn has transformed the workspace, with the provision of new communal amenities along with a rooftop extension and terrace.
Designed for GPE, the 4,500m2 project
stripped the building back to its concrete structure, introducing new MEP, lighting and sprinklers, and providing a full fit-out of nine floors of offices, which are available as managed workspaces.
Previously, the building had a tiny reception area. Drawing on its experience designing co-working spaces, Barr Gazetas instead provided an extensive shared lounge and large meeting room at ground-floor level, with cycle storage, showers and wellness studio at basement level. Te rooftop extension includes a kitchen to enable its use for events.
Te practice drew on aspects of the local context to inform the design, including the
Project Hilson Moran, London
GENSLER’S CONCEPT for interdisciplinary engineers Hilson Moran’s new office was for a ‘living lab’ – a workplace designed to showcase the firm’s work, with a strong emphasis on biophilia.
Located within the Hay’s Galleria development at London Bridge, the project accommodates up to 90 staff. Gensler aimed to blend ‘timeless charm with modern sophistication’, combining exposed brick interiors that hint at the former wharf’s heritage with brushed aluminium, black steel, and warm timber flooring.
According to interior designer and associate Marco Gastoldi, the design blurs the boundaries between nature and technology by ensuring that ‘the presence of nature is tangible’ throughout, creating a ‘welcoming and invigorating’ environment. Tis is embodied in bespoke desking – created with Rawlight – that integrates planters. Views of planting are emphasised throughout, as well as the prime views over the Tames. Tere is further abundant planting in the Oasis room, which is designed as a serene, screen-free retreat, with lounge seating, abundant natural light and a rippling reflective ceiling. Along with the café and library, the Oasis serves as one of three ‘destination’ spaces at the ends of the floorplate.
Tere is an emphasis on flexibility of use, with the café overlooking the Tames conceived as the heart of the workplace and the location for various activities and client events. Here, materials include dark granite and Richlite durable paper surfaces. Boardrooms are adaptable in size courtesy of movable walls. Te library, designed with high pile carpet and
Wren church of St Andrew opposite and 14th-century armourer John Tavie, who was associated with the area. Tese narratives informed the materiality and palette, giving the workplaces a warmth far removed from a more basic serviced office offer. ‘It was a challenge to design in enough character to woo people into something essentially speculative,’ says project director Tom Lacey.
barrgazetas.com
dark green walls, provides a space for smaller meetings and focused work. Te entrance includes an interactive exhibition area. Te project achieved BREEAM Excellent certification. Embodied carbon was reduced through the use of locally sourced, UK-manufactured materials and also recycled and reused materials such as cork flooring and reclaimed timber. Ceilings are exposed to showcase optimised cabling routes and energy-efficient lighting systems that cut energy consumption.
gensler.com
Below The exposed brick interiors hint at the former wharf’s heritage
PHOTO: HILSON MORAN
PHOTOS: TIM SOAR
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101