FOCUS 41
‘MORE AND MORE, so it seems to me, light is the beautifier of the building,’ American architect Frank Lloyd Wright once observed. Lighting, both natural and artificial, plays an intrinsic role in architecture and design, well beyond the functional role of making a space visible or enabling people to perform a task. When it comes to guidance and standards in lighting – and there is an extensive range, published by the Society of Light and Lighting (SLL), the BSI and others – there is invariably a focus on targets and design parameters to ensure functional lighting requirements are met, and that lighting installations are safe and fit-for-purpose. One of the drivers for this is that, depending on the individual project, the role of designing the lighting in the built environment can fall on a wide range of different practitioners, not necessarily lighting specialists.
Below To adopt Jeff Shaw’s words, ‘lighting, both natural and artificial, plays an intrinsic role in architecture’ in the case of the Sanxingdui Museum New Hall, Guanghan, Sichuan (lighting by Puri Lighting Design)
But lighting, in the overall context of design, may be about improving the quality of a space or changing its use in a renovation or taking a new space and using light to make it comfortable, inviting, sustainable, all while supporting its function. Tis goes well beyond the meeting of a given lux level on a specified surface based on a range of assumptions. In other words, it is crucial to look beyond simple compliance. An office lit to a blanket uniform 500 lux on the working plane can lack visual interest, can be uncomfortable, and is wasting energy. Or lighting the concourse of a transport hub to a strict
uniformity target, with no consideration of how the other surfaces in the space appear, is likely to create an unwelcoming environment that can be confusing to navigate and that may even feel unsafe.
Lighting standards do provide a framework to set design targets for a lighting scheme and are generally viewed as providing mandatory targets (in some cases they are a legal requirement, such as for emergency lighting). However, delivering a scheme focused only on compliance to these targets does not necessarily deliver a good design.
Traditionally, guidance such as the
SLL’s series of lighting guides, also tends to focus on specific aspects of lighting design or building types, in many cases touching on design techniques and approaches, as well as setting out technical targets and design considerations, and other relevant requirements.
So an upcoming lighting guide is a departure on both these counts. For the first time an SLL guide – Lighting Guide (LG) 23 – will focus on the topic of creative architectural lighting rather than a specific aspect of lighting. It addresses the overall architectural lighting design process, giving guidance on approaches to creative design and delivery, appropriate to any lighting design project. It emphasises that compliance should not be confused with good design.
Opinion Jeff Shaw, Arup
PHOTO: ARCH-EXIST PHOTOGRAPHY
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101