IMAGES: GETTY; ALAMY
North of Los Angeles, the old tracks speed us out of Star City.
The high-rises fade away into thickly vegetated canyons and creeks, the San Fernando Valley and Burbank glinting in blazing sun. In the train observation car — a living room on rails — we seem to be moving almost silently. But I’m aware of a dizzying vision of America ahead, feeling what poet Walt Whitman perhaps sensed when praising this way of travel. ‘Type of the modern! Emblem of motion and power! Pulse of the continent!’ he wrote in To a Locomotive in Winter, his ode to US train travel. There are probably several interpretations of this — but, to me, it seems to mean that while American freedom came from the revolution, it was the railroads that laid the foundations for the American dream. Operated by Amtrak, the Coast Starlight has been running
from Los Angeles to Seattle in its present form for 50 years. Rail buffs may ride the route for its full 35-hour, 1,377-mile duration, but mine is the journey of the part-time trainspotter. My destination is northern California and Sacramento — one of the most historic railroad cities in the US. The first long-distance locomotive on the Pacific coast was
called the Coast Daylight and it commenced service in 1937 — yet rolled only as far north as San Francisco. The pre-war streamliner that ran the route was described by the local press as the ‘most beautiful passenger train in the world’. Its rush, roar and shrill steam whistle are now footnotes in railroad history. But I remain convinced there’s no better way to see California — if not the whole of the US — than from a train carriage window, while the silver-liveried engine speeds beneath big skies of bright, cobalt blue. By the time we reach Santa Barbara, the California of the
mind’s eye has arrived — albeit in fleeting glimpses. A heron takes flight over rippling Pacific waves. A lone surfer channels the spirit of surf rock bands of the 1960s on Arroyo Quemada Beach. Seaweed swirls in the shallows. Hundreds of pelicans pose. On a good day, a humpback whale might breach skywards. Offshore, in the Southern California Bight, lie the islands of
San Miguel, Santa Rosa and Santa Cruz — their names reflecting the whims of British explorer George Vancouver, who had a Spanish map in his pocket while exploring the coast in the late 18th century. Their original inhabitants were the Indigenous Chumash people and the landscapes are as wild now as they were thousands of years ago. The beach-curled islands can be reached only by concessionaire boats, then explored on foot or by kayak. The most significant benefit, perhaps, is keeping all those who visit in close contact with the untouched nature left behind by the Native Americans. The train trundles on. Ours is now a journey north towards
San Luis Obispo, whose ‘SLO CAL’ label evokes both the county’s initials and the area’s laid-back lifestyle. We sneak onto a part of the coast where roads don’t reach. The train hugs the beach, its tracks almost touching the shore, then skirts through dunes matted with swaying wild rye and purple needlegrass. A bridge carries us across an estuary marbled with sand and I wish for an unscheduled stop, so I can leap into the sparkling ocean. “Just look at those colours,” says a fellow passenger. “I should
have brought some popcorn,” adds her companion. This deserted stretch is part of America that people rarely see.
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Clockwise from left: The Amtrak Coast Starlight has been operating in its current form for 50 years; Castoro Cellars, an organic, family-owned vineyard; The Golden Gate Bridge, San Francisco, California Previous pages: Palos Verdes Lunada Bay
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