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Wren servicing engine


4,500 images dating from at least 1909 to 1940, and it spans black-and-white work, hand-tinted processes, and a substantial body of early true colour photography. For Dartmouth people, one of the most exciting aspects is the amount of local material: River Dart scenes, harbour activity, fishing trawlers, working boats, regattas, yacht racing and everyday waterfront life captured in unusual depth, detail and much of it in colour. At the same time, the collection has exceptional breadth. MacAndrew was not


a photographer of a single subject. Alongside river and sailing life, he photographed travel and expeditions, domestic and family worlds, merchant and naval shipping, natural history subjects, animals, still-life arrangements and carefully composed atmospheric studies. Te range includes material linked to journeys through the Mediterranean, Egypt and the Nile, the Red Sea, the Caribbean, the Alps, and the Philippines. Tere are also


methodical studies of shells, plants, insects, crystals and related observational subjects that show sustained technical curiosity over many years. Tat combination of local depth and wider reach is one reason the


archive matters so much. It tells Dartmouth stories, but it also speaks to much larger histories of photography, maritime culture and early twentieth-century life. An independent review by Dr Michael Pritchard FRPS, consultant to the Royal Photographic Society, concludes that the archive is nationally significant with no other


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