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Village Gardens Ng grey BrITAIN


There were also areas of orna- mental woodland planted with Amellanchier and a dark-leaved elderflower. Nigel’s style has often been


referred to as “low input, high impact” and for me the borders at the Barbican were definitely high- impact. There were a number of people enjoying the gardens with me, taking photos, sitting and chat- ting and even playing some music together. This is surely the way we want our cities to be in the future and it was this message that the RHS were pushing through the Chelsea feature.


The Chelsea garden showcased


how important plants and gardens are in an urban area, and that even the smallest spaces count. Most of the planting was again drought- tolerant, but there were also areas of planting for rain water capture which are particularly important as we experience more flash flooding now in urban areas. A frightening statistic I read re-


cently said that more than 25 per cent of people are paving their front gardens – individually this may not sound a lot but the square meter- age of paving like this in a large city creates huge amounts of run-off


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Amellanchier


with no provision for capturing the water, which just overflows and floods into drains. The Greening Grey Britain feature


also showed how front gardens can become interactive, social spaces where people grow food and gather together to share ideas and chat. It seems a peculiarly English thing to want to hide ourselves away behind high fences and hedges. Bring back the low fences so we can talk to our neighbours again, I say, and we need to design in more communal spaces. There are many recent stud- ies confirming how loneliness is a


continues overleaf


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The Village July 2017 49


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