HOUSE MUSEUMS


A US$23m renovation of the New York home of minimalist American artist Donald Judd reached completion this year


At 101 Spring Street, New York City, USA, An artist laid bare at 101 Spring Street J


une 2013 saw the completion of a US$23m (£15m, €17.3m), three-year renovation project that has turned the


New York home of minimalist American art- ist Donald Judd (1928-1994) into a house museum – opening on what would have been the artist’s 85th birthday. Given the city’s heritage of major artists, it’s perhaps surprising that it is only the third fully preserved artist’s home in the city, alongside the house museums of sculp- tor Chaim Gross in Greenwich Village and photographer Alice Austen on Staten Island.


visitors can now experience Judd’s home and the art he made and collected while living there with his family from 1968. They can take a guided tour through all fl oors of the home, including Judd’s studio, kitchen and stately fi fth-fl oor bedroom.


This site is where Judd formalised his ideas regarding “permanent installation” – his philosophy that a work of art’s placement is critical to one’s understanding of the work itself. Thus each fl oor remains as he installed it, displaying pieces from his collection of over 500 objects, including original sculpture, paintings, drawings, prints and furniture he designed. The roll call of artists and creators


“To live in a building is to get closer to the past than any amount of reading will ever achieve”


102 Attractions Handbook 2013–2014


includes Jean Arp, Carl Andre, Larry Bell, John Chamberlain and Dan Flavin. The development of 101 Spring Street has


also preserved an architecturally signifi cant site. Constructed in 1870 by Nicholas Whyte, the fi ve-storey building is the last surviving, single-use, cast-iron building in its neigh- bourhood – a distinction that has earned 101 Spring Street the highest designation for national signifi cance as part of the SoHo- Cast Iron Historic District.


The project has been overseen by the Judd


Foundation (Judd’s two children sit on the board), conceived by the artist himself in 1977 and set in motion in 1996 in accord- ance with his will. Its mission is to maintain and preserve Judd’s living and working spaces, libraries and archives in New York and Marfa, Texas [a total of 126,000sq ft (11,706sq m) of exhibition space], facilitate public access to these spaces and develop educational programmes.


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