This page contains a Flash digital edition of a book.
In November 2013, Universal be- latedly issued SEASON SIX on DVD-R only, with episodes di- rected by Hitchcock (“Mrs. Bixby and the Colonel’s Coat,” “The Horseplayer”), Ida Lupino, Rob- ert Florey, John Brahm, Paul Henreid, Robert Florey, Norman Lloyd and Gordon Hessler, includ- ing several scripted by Robert Bloch (“The Greatest Monster of Them All,” including one based on a Roald Dahl story, “The Land- lady”). SEASON SEVEN, the final one, has yet to appear.]


CITY THAT NEVER SLEEPS


1953, Olive Films, 90m 47s, $24.95 DVD-1, $29.95 BD-A By Eric Somer


The Chicago of this tense do- cudrama is a film noir city top to


bottom; a complex network of dark alleys, towering stairways, vast warehouses, and dangerous rail lines threading above a dark underbelly of tunnels, catwalks and maze-like plumbing. It is a place where the same criminals are arrested repeatedly, where chil- dren are born on the streets, women are either housewives or whores, and a man whose time is running out peers through half- open doors and broken windows that symbolically imprison him. As the title suggests, the action of this police procedural takes place exclusively in nocturnal set- tings, as police radios describe endless urban chaos. With narra- tion and a general set-up that re- call Jules Dassin’s THE NAKED CITY (1948), trading NYC for the Windy City—and, as in William Wyler’s DETECTIVE STORY


(1951), the events are confined to a single night.


Disenchanted cop Johnny Kelly (Gig Young) is unhappy, both professionally and person- ally. He feels defeated in his mar- riage to Kathy (Paula Raymond), who out-earns him and comes equipped with a nag of a mother- in-law. Attractive 21-year-old night club performer Sally Connors (Mala Powers) figures as a sexy alternative to marital discord, if Johnny can commit. For the sake of some start-up cash nec- essary to begin a new life, he reluctantly accepts some side work from Penrod Biddel (Ed- ward Arnold), a smug criminal attorney with a stone in his shoe named Hayes Stewart (William Talman), a magician-turned-pick- pocket. Biddel requires Johnny’s assistance to neutralize Stewart,


55


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87