LIVE24SEVEN // Interviews
How did this project come to you? It was all a bit of a whirlwind. I was in the midst of shooting
Southpaw and Jean-Marc called me up and said, ‘I'm shooting a movie in a few months, do you want to do it?' My hands were wrapped and I had boxing gloves on, but I'd wanted to work on anything that he was doing, regardless of the material. He's such an interesting director, with such a fantastic point of view. I was really eager to read it, and once I did, I said OK. We basically had two weeks from the wrapping of Southpaw to shoot - it was a really appropriately quick process.
How'd he pitch it to you? He talked about the character's journey through grief in an unconventional way, and anything with the word unconventional before or after it, I’m always interested in.
You said you’d do anything with him. What do you like most about Jean-Marc’s work? I think he really loves the process of making a movie. Very often filmmakers are focusing particularly on the results, anticipating what's going to happen in the future, what they expect to happen. Often it becomes a dizzying task. With Jean-Marc I think he recognizes that you're putting a lot of different personalities and types of people together and it becomes this organism as you're making it. I loved that about him and his approach; I think his movies feel like that. There's a
presence that you don't often feel in movies.
He’s known for a very stripped-down approach to filmmaking, for working very much in the moment. How was that for you?
DEMOLITION in cinemas now - / 14
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