entro, ensembre, fall/winter 2014-15
FIVE C BASICATEGORIES:
Revolution/Evolution: An examination of the continuous
reinvention and the historical context of the “fashionable man.” Curators explained the idea of clothing as a revolution this way,
“Fashion is used to express anti-authoritarian currents, such as the French Revolution in the 1780s and ‘90s and the punk movement in the 1970s and into the 1980s. Radical revolution- aries in France utilized new styles, textiles
and colors to express political sentiments and 200 years later, “punks” embraced bricolage and do-it-yourself personalization to create anti-authoritarian fashion statements.”
East/West:
In this second theme, the heavy influences on fashion between east and west are high- lighted. 17th and 18th century, upper-class Western men wore loose-fitting robes that many say were influenced by the T-shaped
kimonos of Japanese origin. India, China and Japan’s traders, brought back new, unique designs and materials, which eventually made it into western fashion trends.
Uniformity:
Though the concept of fashion may be lost to many as expressed in military uniforms, the standards set for quality, materials, cut and fit are easily transferred. Fabrics, tailor-
ing techniques, stylish details and embellish- ments were molded, stitched and steamed
into silhouettes that idealized the male body. Something that did not go unnoticed by 18th and early 19th century Saville Row tailors who crafted fine wools for their army and
navy clientel. Also, not to be lost on many a modern designer, who borrowed often from history’s design regiments.
zoot suit, united states, 1940-1942 30 RAGE monthly | APRIL 2016 macaroni ensemble: suit, italy, probably venice, c. 1770
spotlight history of mens fashions REIGNING MEN’S
punk jacket, united states, 1978-83
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