This page contains a Flash digital edition of a book.
S


p 29


    


David Dumbrell


always fascinated him. With a past career as a woodworker and with retirement on the horizon,  by the process of automata.


  present for a friend. All set in motion by a hand- cranked, wooden handle which, in turn, moved wooden gears, all designed and cut by David.  was born. To feed this passion, a carport was torn down and a brand-new studio built, soon  Retirement issue resolved. Wife happy.


 gone by and a total of nine pieces were crafted. Each piece has been more complex than its predecessor, a challenge David set himself. The wooden gears were combined with metal springs and other metal pieces. With the help of a retired machinist friend (and another new machine) David  metal gears. This was followed by a curiosity and further research in electronic devices, which resulted in his latest piece using electronics.


David’s pieces combine the art of wood sculpting (soon to be followed by other media), the creativity of design and concept, and the complexities of engineering and electronics.  personalities by painting and accessorizing them are his wife Maryke’s contribution.


 participating in the local (Vancouver BC) Artists in our Midst exhibition. During this time his studio was also open to the general public and upwards of 200 interested came to see his art. His work also appeared in the 2014 Fall issue of the Oregon’s Permanente Journal. While in Europe last year, two musea/galleries, dedicated to automata, expressed interest in having one of his pieces: Stratford-upon-Avon’s MAD Museum and Belgium’s Monopoli museum.


In only his third year of retirement, David shows no signs of slowing down and will continue his pursuit of more challenging creations in the world of automata.


Website: davestudiorama.com


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30