p 23 Ferenc


SP: On your website you state: “I create anagogic-      F: Like most, if not all artists, the act of creation is why we’re here, either by known intent, bumps upon our timelines, or by co-in-cid-ence. Usually it’s all three. From my earliest memory I’ve always made things, and with an active imagination to play with…  fortunate in my childhood to be surrounded and  Norris comes to mind and his shiny crab that dad helped fabricate and weld.


As for a bit about my background, architecture  lives - to create spaces for living life, but with the computerization of architecture - the accounting of every nail just to build boxes – my attention shifted to another form of creation: culinary arts. A combination of art, science and physics to feed souls felt true at the time. It’s just that food doesn’t last very long, but my mirror polished knife has.   either the silverware or chewing tinfoil as a parental


Fohat sapor


Ferenc as a creator, an artist, a finer - lives in his heart and upon the land at Vancouver


S


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