This page contains a Flash digital edition of a book.
PASSINGS


John Dawson Winter III (1944 - 2014)


Way back during my high school days in


the 1970s, music became much more to me than just something I enjoyed. It became my life. I just couldn't get enough. I loved every- thing from Deep Purple to Alice Cooper, from Arlo Guthrie to Merle Haggard. One of the top five acts in my book was Johnny Win- ter. To be honest, Johnny and his brother Edgar Winter shared a very special place in my heart and soul. My bedroom at my parents’ house look like a museum of rock 'n roll. Among all the posters, black lights, and stereo equipment hung a huge black and white poster of Johnny Winter. That thing must have been four feet tall. It was a straight on shot of Johnny blazing across the fret board, circa 1971. During a two-year period in the early-70s,


Johnny Winter released three albums that would forever change and influence my musi- cal perceptions. First came Still Alive and Well, followed by Saints and Sinners, and then John Dawson Winter III. I loved the


rocking cover of The Stones “Silver Train,” and the country – yes, country- “It Ain’t Nothin’ to Me.” The title track of “Still Alive and Well” was a rocker, as were songs like “Stone County.” “Cheap Tequila” was another favorite. Heck, I loved ‘em all. I played those LPs endlessly. I had never, ever heard a guitar played like that. But with these albums, Johnny Win- ter also managed to teach me something brand-new. He taught me about the blues. Prior to my discov-


ery of Johnny, I had not been exposed to blues much at all. My parents were country music fans, and I kind of sought out hard-hitting rock and Top 40 tunes. Then I heard “Too Much


Seconal,” and “Sweet Papa John.” I began reading the interviews in the Creemand Cir- cusmagazines in which Johnny expounded upon his love of the blues. I learned about the albums that came before these three, includ- ing an epic work called The Progressive Blues Experiment. A couple of years later Johnny started touring and recording with the great Muddy


27


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72