VENUE 077
Tobola, of Renkus-Heinz Poland distributor and audio integrator M.Ostrowski, explained how the the most recent rennovation of the main theatre has created a 700-seat auditorium fl oor, with a second balcony that’s brought into play for larger productions. M.Ostrowski was project coordinator, and supplied audio, communications and stage machinery while fellow Polish fi rm LTT integrated lighting and video systems. Stage machinery is from Dutch specialists Trekwerk - some 27 automated winches in all.
Lukasz explained that the audio system in the main auditorium is based on Renkus-Heinz loudspeakers and audio distribution over a fully Dante system based on a pair of Yamaha’s new CL5 and CL3 mixing consoles, using Cisco switches. Liberal quantities of wall panels allow for connecting the signal all over the stage as well as patching and routing to the rack and signal to the rack console input. The next link in the chain is the loudspeaker processing, again using
a combination of Yamaha DME64, CobraNet and Dante cards. From there it’s digital all the way to the Renkus-Heinz loudspeakers, includ- ing the high power units and compact PN Series, the majority of them self-powered. “We have double Renkus-Heinz self-powered ST4/94 active loudspeakers for the left and the right proscenium arch clusters; a double active Renkus-Heinz ST4/44 for the central cluster; and Renkus-Heinz ST4LR and ST5LR units,” said Lukasz. “The ST4L loudspeakers on the rear walls on the stage are for horizontal plane effects.” There’s also a large complement of Renkus-Heinz PN Series com- pact loudspeakers - a total of 10 PN121M/12R and PN121M/12 stage monitors and a line-up of 18 PN82/12R active cabinets, 12 PNX82/12 passive loudspeakers and eight TRX151 passive stage monitors.
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