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He also goes on to say that because of this 3-dimensional quality, our time would have to be endless in order to grasp and observe the work from every angle, leading to endless interpretations.
Another element unique to sculpture is our ability to touch it. Many of us were taught early on, probably as children, to not touch certain objects, especially if they were deemed valuable. With sculpture the desire to touch an object to better understand it can be indulged. From that perspective, even someone who is visually impaired can comprehend, on a very intimate level, what the sculpture is conveying. You can remove all the visual limitations and feel the beauty of the sculpture as the surfaces reveal its internal and external occupation of space. An appropriately placed sculpture can be no more ignored than a human being occupying the centre of a room. Perhaps this is why, in the words of Randa Nehme, ‘sculptures breathe’.
ARCHITECTURAL CONSIDERATIONS Since sculptures, as mentioned above, differs significantly from 2-dimensional art in the way it occupies space, it is the ideal medium to lend that extra level of sophistication to architectural designs. But because of its 3-dimensional nature, it also requires a bit more forethought. Most people are comfortable with hanging a painting on a wall, yet hand someone a sculpture and instead of answering the question of where to hang it, as you would with a painting, you may face a larger question of ‘what do I do with it’?
ur time would have to be endless in order to grasp and observe the work from every angle, leading to endless
O
interpretations. Joseph Bloom
A primary consideration for the integration of sculpture is associated with timing. Sculpture is best integrated early on in the design process in order for it to have the greatest impact. Sculptures need a ‘home’ and should convey a sense of belonging in the overall design of the space. For example niches for sculptures provide this sense of belonging. Lighting further ads to this by making the pieces ‘feature points’, highlighting their presence and conveying a sense of them being a part of the space, whether indoors or outdoors. For larger outdoor pieces, footing and proper installation also needs to be addressed, along with access for electrical and maintenance. Sculptures make ideal focal points and add beauty to landscape design, and if properly themed, can enhance values or messages the property owner wishes to convey with his or her outdoor space, often the first impression when approaching a
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