by vocalist Bilal Oliver. Glasper offers: “You can really do this song in any situation, and it does stick with you. So pretty.” Derrick Hodge, the Experiment’s bassist, an accomplished composer as well as a top-shelf jazz and hip-hop sideman, contributes the final track, “Open Mind,” also featuring Bilal. It’s “a spiritual tune” in Glasper’s words, with additional textures and voice elements from turntablist Jahi Sundance, the son of alto saxophone great Oliver Lake.


Benjamin’s arsenal of sonic effects is at the fore of “Festival,” colored by Glasper’s Fender Rhodes, taking wild, digressive turns over the course of 10 minutes—the Experiment sound at its most representative and expansive. “Casey has so many pedals, it’s a whole thing when he sets up, he has to go to the gig before us,” says Glasper with a


laugh, noting that Benjamin


is playing only alto saxophone and “nothing’s overdubbed.” A short transitional piece, “For You” by Benjamin and drummer Sameer Gupta, leads into “All Matter,” a striking, unclassifiable original


Hailed by listeners and critics, Glasper


has also garnered the


respect of the toughest audience of all: musicians from across the jazz spectrum. In a May 2008 Blindfold Test for Down Beat magazine, a fellow pianist instantly identified Glasper and praised him as “a fantastic musician,” pinpointing characteristics of his unique style: “a harmonic maze, but also an insistent rhythm, certain turns and filigrees and ornaments, some of them sort of gospelish.” With Double-Booked, Glasper further develops all these elements and pulls them together in a new synthesis, continuing his ascent to the top ranks of modern jazz artistry.


g l a s p er .co m


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