This page contains a Flash digital edition of a book.
HISTORIC CRUISING


Europa 2 is aimed at multi-generational


families. As such, she features inter- connecting suites and trained nannies to look after children while the dress code is deliberately less formal. You can forget the tuxes and ties, smart-casual rules here (albeit with the emphasis on smart).


he is nothing less than the Adlon with azipods or, if you prefer, the Ritz. On my recent cruise, the average age was in the late 40s, and this resulted in a lively and energetic atmosphere at night, despite the fact the ship has no casino. A slid- ing glass roof allowed for outdoor parties around the pool while Sansibar, the indoor/ outdoor nightclub on the aft decks, was busy until the small hours.


S She also boasts a sumptuous Spa and a Family Values


By way of a curious coincidence, our publisher, Robin Maclear (see photo on Page 52), just happens to be the great-great grandson of Eduard Crusemann, co-founder of the famed Norddeutscher (North German) Lloyd line – a company better known today as Hapag-Lloyd Cruises. Both Robin and his nephew James (also pictured on P52 aboard the new


Europa 2), are now Directors of The Cruise Line Limited – the leading UK cruise agents for Hapag-Lloyd Cruises! Some of the images and memorabilia shown over these pages have been supplied by their family.


world-class cooking academy as optional extras, and is immaculately served by a crew that raises hospitality to the level of an art form. Consistent excellence is the order of the day and, though not as truly all-inclusive as some rivals, this modern masterpiece represents the absolute pinnacle of modern, casual luxury living at sea. Europa has been a proud, cherished


name down through the decades. And, indeed, it still is. More than anything, it stands for a superlative standard of continuity. This latest ship is more than a tribute to that idea; she is the perfect distillation of past and present, wrapped in one wondrous, beautiful hull. 


54 WORLD OF CRUISING I Autumn 2013


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84