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The single most important tool in your possession is the one between your ears. Think-build your model before you make the first cut. I can often do this in the ten minutes or so it takes me to fall asleep at night. Think the job through from beginning to end. Con- struct the whole thing in your mind and literally think-build it right up to the final weathering on the roof. Go get yourself a cup of joe or a soda, sit back in your chair, and build it in your head. All in all, it should take about 15 min- utes. Other times, I gather all the items I will need (tools, construction materials, and parts). Lay everything out, then just look everything over and develop a plan. Don’t start cutting un- til you have that plan firmed up in your head. It is also a good idea to have everything you need before you start. This sage advice popped into my head just yesterday when I decided to build the D&RGW’s warehouse in Chama. I’ve always got Evergreen Scale Models .030″ corrugated around—not! GER- RRRRR! It always pays to have a few projects set up and ready to start when a situation like this arises. Have a plan and a backup plan and maybe even a backup to the backup. This is not to say that things won’t change along the way. Be flexible when there is a bump in the road. Remember, if things are going well, you’re walking into an am- bush.


Sometimes Donna will ask, “How is it going down there?” This happens particularly if there has been none of the usual “@!#$%&@” from the nether regions. My usual response is “Some- thing is really wrong. Things are going too well!” All I’m really saying here is have a plan, and stick to it as long as it


is working. When it fails to work, re- think your approach. That warehouse will have to wait. Truth be told, I counted over twenty modeling projects waiting in the wings. Then there’s the hundred or so on the layout(s) waiting out there as well. Boy, am I glad I’m re- tired.


This next bit of counsel will generate gales of laughter from my family and friends. I am about the last person to give the following admonition. At the end of a project, clean up the bench and work area. Put the tools away, and pro- ceed to generally tidy up the place. An orderly workplace stimulates the com- mencement of a new project. Putting tools and parts away often seems like an all-day project. In reality, an hour usually does it. I keep a small office type pencil holder for just the most used tools. The rest are stashed in a drawer. Not only are they ready at hand, but in plain sight as well, not hidden in that drawer.


While I’m on the subject of holding


things, I learned the hard way to pre- vent my clumsy nature from knocking over the solvent cement right on a mostly completed project. Drill a bottle size hole in a chunk of 2″×4″ and store the plastic solvent cement in that hole. In order to knock it over you will have to be clumsier than I am, and I’m not sure that is possible. Whatever the project, it is nice to


know that it will fit where it is sup- posed to go when it’s done. I generally head for the layout, note pad and ruler in hand, where I measure (exactly) the area in which the building in question is to reside. It pays to know the size limitations of the real estate and the proposed footprint of the new project.


The tuition for miscalculation here is pretty steep. I once watched a large 2- 8-2 shove a recently completed engine house about 30 scale feet down the track. The door rebuilding and resizing was not nearly as much fun as the orig- inal construction.


As usual (with me anyway) it took a traumatic event to teach me better ways to do things. As I look back upon that bit of misadventure, I can see the humor, and wish I had a video of the building bumping along the tracks. Not all blunders are that harmless! Back in the mid 1970’s, I acquired a Dremel modeler’s table saw. It had a 4″ blade and, maybe because of its diminutive size, I failed to respect it. Eight stitches and a decent amount of blood later, I had a lot more respect for that small blade. After the failed at- tempt to sever my thumb at the first knuckle, I quickly turned off the saw with the injured digit. To shorten the story and make my point, I left the dried gore on the switch. I also pho- tographed the injury and taped a small print adjacent to the switch. The saw never got me again. Much of what I do for a living in- volves paint, and the accuracy of color. A word of caution here. All paint man- ufacturers match color in batches to what they call an “industrial” match, which is to say, not an exact match. If your project is large enough to take more than one bottle of paint, pre-mix as many as necessary into a larger ves- sel to insure continuity of tone. Well, I think you have suffered enough for this month. Next month we will continue along these same lines with some tips and techniques that I hope will be useful.


Before cutting and gluing begins on a project, try to scope out how to proceed. This “think-build” method of modeling will save a lot of time. First gather the needed materials (left) for the model


RAILROAD MODEL CRAFTSMAN


and lay everything out on the workbench. One of the hardest con- cepts for many modelers is clean up. Often times, tidying up the workbench (right) will lead naturally to the next modeling project.


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