This page contains a Flash digital edition of a book.
November 2012 www.tvbeurope.com


Olympics boosted by sustainable mics On using rechargeables, Willsallen says: “We would


have used around 26,000 AA batteries otherwise” By David Stewart


SHURE’S NEW Axient wireless microphones were widely used by headline stars at the opening and closing ceremonies during London’s 2012 Olympics. Working together with UK- based company Delta Sound, audio systems supply specialist Norwest favoured Shure from early on in the systems design process for the event. The games this summer marked Axient’s debut at an Olympic ceremony. Norwest’s Chief RF Specialist


Steve Caldwell heard about the new product line directly from connections at Shure’s engineering team in the US, early in the product development process. The Axient systems were then written into the final draft of the London plan by Scott Willsallen, audio systems designer London 2012 Ceremonies and Bobby Aitken, sound designer London 2012 Ceremonies.


KSM9; it just sounds great. That’s how it should be, of course, but it’s quite a step!” comments Willsallen.


“With the Axient handhelds,”


explains Caldwell, “we can transmit on two frequencies at the same time, should we need


Axient wireless microphones were widely used by headline stars at the opening ceremony during the London 2012 Olympics


Accept nothing less Your DSNG truck deserves it


Scott Willsallen: “We used Shure KSM9s as the default standard mics on these systems, swapping to Beta 58s if the artists involved were a bit more… noisy!”


Willsallen had to ensure that the Axient systems, which only became commercially available in the spring, would be suitable for use during summer 2012, given the intense media focus on the Games. “I wasn’t going to take any chances,” he explains. “You don’t get a second chance at an event like this one.” Caldwell’s case for Axient


centred on several features of the new systems, including audio quality, Frequency Diversity, and the unique rechargeable battery technology developed for Axient (also used in Shure’s ULX-D digital wireless systems and PSM900/1000). “We used Shure KSM9s as the default standard mics on these systems, swapping to Beta 58s if the artists involved were a little bit more… shall we say… noisy! An Axient transmitter with a KSM9 sounds like you’re using a wired


 the best in class contribution encoder, designed to help satellite up-link


professionals navigate unexpected obstacles..


• Meets all DSNG requirements: SD & HD, MPEG-2 & MPEG-4, 4:2:0 & 4:2:2, 8-bit & 10-bit, up to 1080p60


• Complete front panel access with video monitoring • Boots faster, whisper-quiet in operation, easy web graphic user interface • Second video channel or modular design with optional built-in DVB-S/S2 modulator


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60