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ITN POST INVESTS IN DOLBY ATMOS & AVID S4 CONSOLES AND THE RIGHT ATMOSPHERE


renderer which offers massive capability both in scale and functionality easily controlled through Pro Tools and the S6 console. We have put a producer


panel in the centre of the S6 as a space for the DAW keyboard and mouse and where the joystick module has been installed. All of our configurations put the mixer at the centre of the desk to maximize the listening position


AVID S4 CONSOLES Just as the decision was made to put the S6 in the Atmos HE suite, Avid announced the new S4 console and we saw a great opportunity to get two S4’s to fill the 5.1 suites. We now have two matching rooms with identical configurations (24-fader and TFTs) and the ultimate in compatibility. As one of the first post


houses in the UK to get our hands on the Avid S4, we have been blown away by its feature set and form. The console sits perfectly between the S3 and S6


in our other rooms. The size is perfect for fast turnaround jobs, as everything is immediately to hand and the channel strip modules are great. Everything is so familiar and easy to operate allowing us to spend more time on the details of a mix.


SUITE DETAILS Avid ProTools is the indisputable industry standard and the best consoles to use with it are the EUCON based Avid S range. We now have S3, 4 and 6 in our rooms and moving from one to another is so easy you don’t even think about the set-up. EUCON has been around for a long time and with features and functionality constantly being added it is better than ever. When working in Pro Tools the tight integration between DAW and mixer is amazing making the Avid S the consoles of choice and at all budgets. I don’t do a session now


without using an iZotope RX7 plugin and recently the Dialog De-reverb, Isolate and EQ match has been taking


a punishing with lockdown recordings coming from kitchens and sheds. Budgets are definitely being


stretched which often means tight deadlines and shorter turnarounds, having the tech and workflow do as much of the work as possible gives us more time working on the important aspects of the job. Running all the suites on Avid Nexis with Pro Tools and Avid S consoles gives us exactly that, from importing edit AAFs and MXFs to exporting back the final mix, being fully networked makes it such a quick process that has become the norm for us.


the process from helping to spec the room and kit required down to the final turnkey installation. I’m always amazed at their technical knowledge but more importantly the experience they all have in post sound is unbeatable. Any question is answered immediately, and you know great advice is just a call away. The install


“I’M ALWAYS AMAZED BY THEIR TECHNICAL KNOWLEDGE”


process was excellent and HHB liased with everyone on site to ensure it ran smoothly. Everything went to plan and on schedule. Any operational


queries with the new Atmos suite have been answered by their great technical support which is invaluable. There is a reason why


WORKING WITH HHB We have worked with HHB for years and having them on board for another install meant we knew everything was in good hands. They were involved throughout


we keep going back to HHB because they are the best in the business. A great team that are a pleasure to work with, a huge knowledge base and excellent service.”


Craft Edit Suite


Caption


Studio 1 - 5.1 with Avid S4


Studio 1 - 5.1 with Avid S4 Pictures and Studio Furniture courtesy of AKA Design


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