search.noResults

search.searching

dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
SUMMER 2020 CONTENTS


O6 IN POST Recent work from Technicolor, WBDLL, BlueBolt, The Look, Suite, BBC Studioworks, Evolutions and more


42 POST AND VFX: NEXT The post and vfx sector was quick on its feet when lockdown hit. Jon Creamer finds out what happens now


Genres: What’s Next? A 12-page special on how television producers and broadcasters across the board have coped amidst a global crisis and a look at the future fortunes of each genre from here on in


14 STORYBOARD Standout creative from Nexus Studios, The Mill, Framestore, Splice, Blink, Untold, Coffee& TV, Joyrider and more


48 SILVER LININGS The industry will emerge from the current crisis with a stronger backbone built on remote distributed and hybrid facility-to- cloud workflows. Adrian Pennington reports


P18 Factual TV With cash in short supply, could factual television be the genre to quickly fill empty content cupboards? Pippa Considine reports


P21 Entertainment There’s a growing optimism about a genre that is relatively affordable, simple to produce, and in demand. Tim Dams reports


THE TELEVISUAL BULLDOG AWARDS Head to page 66 to see all the nominees for this year’s Televisual Bulldog Awards and have your say about the best British programmes of last year.


P25 Drama COVID forced the shutdown of drama production, but producers are now looking to the next chapter. Jon Creamer reports


36 THE STAGE IS SET Despite COVID-19, studios are high in confidence with new developments and new additions continuing. Jon Creamer reports


P29 Live sport Michael Burns finds out how sports broadcasters and their production partners have coped with Covid-19.


82 IN MY VIEW Zoe McGivern, head of


56 HOME MADE SOUND Audio post production found a new home as mixers and sound designers set up in bedrooms and garages. But not all processes have been perfectly balanced


P34 Commercials/corporate Shooting is back on the cards, but it involves mind boggling complexity. So, for com- mercials and corporate outfits, production skills have come very much to the fore


Summer 2020 televisual.com 03


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96