THE UK’S LEADING AVID AUDIO RESELLER A SOUND ENVIRONMENT
ITN POST
OLLY STROUS DIRECTOR OF POST PRODUCTION “ITN Post was originally conceived as an internal post
facility to support ITN’s extensive slate of broadcast and digital output. Its’ founding principals were to deliver a robust, fast and “smart” facility. We reimagined how projects could be managed and embraced a world of automation and AI to accelerate our workflows and deliver more value on screen. Our latest phase of expansion, both local and remote; has
been built exclusively to accommodate our growing list of clients external to ITN and with the increased demand for high end output across multiple platforms, now was the right time for us to invest in Dolby Atmos and Dolby Vision. Our clients are key to our investments and with Dolby
Atmos and Vision Home Entertainment technology becoming cost effectively available to consumers, the inevitable increase in demand is now ready for us to handle.”
NICK HANDLEY SENIOR DUBBING MIXER As a facility that has Avid technology at its heart it was
important for us to expand the current infrastructure and to maintain the amazing workflows we have in place. All our rooms are fully networked, running audio and video from Avid Nexis so all our media assets are shared across multiple rooms - both edit and dubbing suites. Pro Tools has proven to be the reliable workhorse that we need to meet incredibly tight deadlines and is the standard these days that creatives know and has all the tools for dealing with complex mixes including Atmos.
NICK HANDLEY SENIOR DUBBING MIXER “The combination of a rise in services that can carry Dolby Atmos Home Entertainment [HE] streams combined with more affordable technology has seen an explosion in Atmos HE requirements and deliverables. We wanted to have a Dolby Atmos HE 7.1.4 speci- fied room that would sound and look amazing and appeal to all clients and it does! Everyone who has visited the new suite for a listen, has called it a truly cinematic experience and can’t wait to get back in. From the beginning we
and external customers to work on a range of work; from tracklay and premix all the way through to deliverables creation. We are now able to accommodate them in a fully specified and fully approved room. We already had a very well
“HHB ARE THE BEST IN THE
BUSINESS”
specified Avid S6 console that everyone loved, so when looking for a console to go in our new Atmos HE suite it made sense to utilise our existing desk as it ticked all the boxes - especially when we added the joystick panner module. It’s a
24-fader console with the
TFT metering screens allowing us to get great hands-on control of mixes and awesome visual feedback. The EUCON integration is
decided to have a room that fully met Dolby’s certification requirements and that utilised the Dolby RMU to set a benchmark – the level of specification that would be attractive for high-end work. The Dolby Atmos HE suite was designed for both in-house
hugely powerful and features such as layouts, VCA spill and the super-quick navigation and editing of sessions are indispensible. The suite uses the Avid
MTRX interface connected via Dante to the external Dolby
www.itnproductions.com
The Media Hub
Dolby Atmos HE -- 7.1.4 with Avid S6
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