search.noResults

search.searching

saml.title
dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
Industry Advice


Hesitant to take off embroidery on caps?


Neil Dunton is an experienced digitiser with decades of experience based in South Africa. In this article he provides some expert advice on how to perfect embroidery on caps.


H


ave faith, armed with all you need to know, embroidery onto readymade caps is not that difficult.


I imported the first multi-head (12) cap machine apparently into South Africa back in 1992 when early frames restricted the sewing area to 55x100mm and often allowed movement of the cap within the frame.


With the introduction of the


270o frames in the late nineties, the securing clamps cured these problems and allowed for taller designs, but I noticed many caps with large gaps between the peak and the lowest point of the design. This is perhaps due to the fears of hitting the frame.


To overcome this, ask your digitiser to place the start/ finish point at bottom centre. Then, using your laser pointer (if you have one) position the starting point approximately 10mm up the centre seam.


Don’t forget to invert the design by 180o. Eureka. The following points might also be of assistance. • In my early days of digitising I was


| 62 | January 2023


taught to always make the stitch direction on Tatami (fill) stitching vertically. This is apparently because of the way light bounces off it, creating additional sheen. However, and this is important, the direction on cap fronts must be horizontal, otherwise the cap seam will be prominent.


• On low profile front caps, large rectangular designs can appear out of shape. The only way I’ve found to overcome this is to artificially distort the top of the design so that it appears ‘square’.


• I’ve never had much success


embroidering from ‘ear to ear’, finding that the side designs often sew off registration and can end up skew. To overcome this I prefer to frame up the cap side with a hoop and sew in them in the normal way.


• Avoid thin lettering fonts which can sink into the cap fabric, particularly on brushed cotton. In such cases, increase the Pull Compensation to 0.35 to beef up the letter column. In conclusion, don’t be afraid to try cap embroidery, it can be profitable while increasing your product offering.


Use a laser pointer to find the starting point approximately 10mm up the centre seam www.printwearandpromotion.co.uk


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68