search.noResults

search.searching

saml.title
dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
The Transfer Print Column


Transfer decoration with a difference – it’s time to double-up


When asked to write the Transfer Print Column this month in an edition about urban clothing, Adam Wyles, head of heat transfer technology at Amaya Sales UK, thought he’d try and do something a bit different.


The inspiration for the article was taken from Pinterest


I


think it’s fair to say that when we look at garments online or in a shop that have been decorated in multiple positions, we assume that they have been achieved using industrial printing equipment and sometimes pieces of the fabric have been printed separately before the garment is stitched together. We’re here to show you how you can achieve multiple layers of print, in unusual places across two pieces of clothing using very simple garment decoration processes to achieve high-value desirable finished garments. Firstly, we took our inspiration from Pinterest. Then, we chose two technologies in our portfolio which are both cost effective and versatile processes that all garment decoration businesses should consider.


Step one Step one is the full colour transfer. We found the background artwork on Freepic. This has been printed on the Oki


Pro8432WT white toner printer with the Forever Laser Dark No Cut


| 46 | January 2023


Transfer paper, and new B Paper PRO. This image has been rasterised using the Forever RIP software, where the image has had a mask of different shaped holes strategically placed over the design. This process is great for many reasons including making the transfer feel softer, for better washability, durability, and stretchability, with an additional cost saving benefit in the amount of ink used. As a side note, as we are producing a ‘doubled up transfer’ having this transfer thinner is really important as it will give the final garment a fashion feel and add value to your end product.


Step two


it does not move when you lock the press down and also cover the rest of the print with protection paper. It is best to have minimum vinyl backing around your text and then apply for the recommended time, in this case 15 seconds.


Applying the transfers


Once this is done you can remove the clear vinyl carrier sheet and hey presto you have your masterpiece for all to see!


Our example Cut and weeded


Step two has been created using the Roland GS2-24 vinyl cutter and a high pile premium neon orange flock vinyl for extra density. It has been cut using a 45˚ to 60˚ blade, so that the cut is precision perfect. The design then needs to be weeded, so that all the unwanted areas of the design are taken away.


Step three Full colour transfer


Step three is to apply the transfers to the garment. Firstly, we printed the white toner transfer onto the garment as the base, which is a 30 second application and cold peel. Once this has been applied and the backing peeled, make sure that the garment with the other half of the transfer is flat on the heat press, as this is key to the second transfer pressing correctly. Then, very carefully move the flock transfer into position over the original print. At this point we also recommend using some heat tape to hold the design in place, so that


This is just our example. The base artwork could have been really bright full colour rather than the greys and whites we chose, and it may be that you use a Metallic HTV or one of the stamping foils for the second part of a design. Here we used two A3 sheets of heat transfer paper, plus 25x50cm wide flock vinyl to decorate one hoodie in five positions and a pair of trousers in two positions. The total materials cost for this feature was £6.20. For me, the hoodie alone could be sold for £50 particularly if the design offered is personalised in someway to the customer’s requirement.


The finished product


Adding value and being creative like this means you can obviously charge more for the final garment, but you will also stand out compared with your competition and this can attract you new clients and more orders. If you need any help on how to achieve this give one of our transfer team a call, they will be happy to talk you through it.


www.printwearandpromotion.co.uk


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68