Port Isaac and finds his life transformed by the village, the band and the songs.
Starring as Jim, the group’s lead singer, James Gaddas is no stranger to musicals. He’s known for Bad Girls and Hollyoaks on TV but he’s also been in the likes of Billy Elliot, Spamalot and Mamma Mia! on stage.
“But I’ve never done anything like this before. It’s earthy and visceral. The music is strong and grounded. It dates back as long as 200 years ago, with the fishermen adapting it for today but staying true to those roots,” he says.
There are 37 musical numbers in the show, including most of the songs from the film and many more besides, with the singers accompanied by seven folk musicians who between them play around 40 instruments.
“The band are stunning,” James enthuses. “You get a cappella performances, then the counterpoints when the musicians join in.”
The actor describes Jim as a man for whom his boat, his crew and singing with his mates are his life. And Gaddas feels there’s a universality to the characters.
“These are people you can relate to and we all want that magic moment when things turn around for everyday people doing everyday jobs. It’s like a kid playing football in the park and a scout just happens to be there. It’s something unexpected suddenly happening to the underdog.”
Robert Duncan plays Jim’s father Jago, who is in his 70s and the elder statesman of the group. Born in the Cornish town of St Austell, Duncan didn’t hesitate to say yes to the show. “It’s set in a place I know very well,” he says, “and I was excited about doing something from my own neck of the woods. It’s like me paying homage, plus I’d never done a musical before.”
So how is this star of Drop The Dead Donkey finding singing the sea shanties? Robert laughs.
“It’s certainly not water off a duck’s back but David White, our music supervisor and arranger, told me ‘We don’t want the most wonderful voices in the world, these are fishermen, so do it as you believe working people would sing’. I did sing in choirs when I was younger but before this I’d never have had the confidence to sing a song on stage. Somehow this felt like the right time and when I was given the opportunity I grasped it with both hands.”
The story, he believes, is in many ways specific to Cornwall yet it has a universal appeal.
“Some of the things in it are peculiarly Cornish but the idea of how the landscape shapes people is true wherever you go. Plus it’s about community and getting through things together, which is now more relevant than ever.”
Duncan believes audiences around the country are going to love the songs in the show.
“The a cappella group, which I feel privileged to be a part of, creates such a strong sound and it touches people. There’s a lot of emotion in this play and we also have the folk band who are so talented they can play anything. They become a part of the
community on stage, wandering around with harps and double basses.”
Playing Jago’s wife Maggie is Susan Penhaligon, who was also raised in Cornwall and says: “There’s an old phrase ‘Cornish women be brave and stubborn’ and that’s what Maggie is. Her roots are in Cornwall and she’s typical in that she’s independent, free-thinking and tough. I love her and I feel like I know her.”
Having lived in St Ives and Falmouth from age six until she went to boarding school in Bristol when she was 11, Penhaligon adds: “Fisherman’s Friends is a Cornish story and they don’t come along very often. As far as I’m concerned, we’re exporting the right kind of Cornish culture rather than bobbing boats, pasties and jam and cream on scones. It’s not the picture postcard image, it’s the real Cornwall.”
And she agrees the story will resonate around the country. “It’s has a truth to it and it’s about history. There’s something basic and organic about it that touches people and the music is fantastic.”
Adapting the story for the stage, Amanda Whittington points out: “It’s a fascinating world to explore and discover. Port Isaac and the fisherman’s way of life is rich territory for drama and the characters are funny, real and recognisable.
“Then of course there’s the sea shanties, which are beautiful and timeless. The traditional shanties are the backbone of the story but there’s also contemporary songs of the sea and wonderful new songs written especially for the show.”
The writer, whose previous stage adaptations include Saturday Night and Sunday Morning and Tipping the Velvet, is seeking to strike a balance between fact and fiction, explaining: “I love the fact it’s about a real place and time, yet it’s full of mythical and magical elements. It’s about making sure we stay true to the original fishermen’s story but embracing the possibilities theatre brings.”
As for what she hopes audiences will take away from seeing it, Amanda says: “Times are tough and we want Fisherman’s Friends to be a joyous and life-affirming experience for all. It’s a story about the place you call home, whatever and wherever that is. I also think you'll be literally taking the songs away in your head and heart. Once heard, they’re never forgotten.”
Fisherman’s Friends: The Musical can be seen at Malvern Theatre from March 21 – 25. For tickets visit
www.malvern-theatres.co.uk
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ENTERTAINMENT SONGS FROM THE S EA
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