ADVERTORIAL 041
Beautiful to look at and beautiful to touch, CLEAF’s decorative surfaces are supplied exclusively in the UK and Ireland by James Latham
CLEAF LUXURY DÉCORS: Made in Milan. Loved by designers. And supplied exclusively in the UK and Ireland by James Latham.
CLEAF has a long track record of delivering best-in- class finishes. Founded in 1975 in Italy by the Caspani family, CLEAF has grown into one of the world’s most respected and celebrated decorative surface brands. Now CLEAF’s beautiful materials will be available within the UK and Ireland exclusively from James Latham, the market-leading independent distributor of timber, panels and decorative products.
A collection of over 100 attractive finishes in a variety of different tones, colours and patterns, plus a ‘made to order’ option on thousands of additional combinations, will be available only from James Latham’s depots.
Te best of the best
CLEAF is widely known for the uncompromising high quality of its surfaces. What sets it even further apart are its unique processing techniques. When applied in the manufacturing process, the results are deeply textured surfaces, which make its product nearly indistinguishable from the natural materials they mimic. Woodgrain, natural stone, burnished metals, fluted marbles and plush, full- grain leathers are just some of the decorative finishes that add a natural style to interiors featuring CLEAF products. Each of CLEAF’s panels are incredibly robust. Te decorative layers are tightly bonded to a solid and
sustainable chipboard substrate, making them suitable for almost any built-in or free-standing furniture application. Whether it’s an ultra-cool bar in a five-star hotel, or a sophisticated wardrobe for a spacious bedroom, CLEAF offers just the right materials – with just the right look – for the job.
And not only do CLEAF’s products look great; they stay looking great. Tey’re durable, easy to clean and ideal for high-traffic areas in commercial spaces, hospitality locations or the home.
Market-leading distributors
By partnering with James Latham, CLEAF is putting its products in the hands of a tried and trusted distributor. Already established as a partner that understands CLEAF’s materials and customers, James Latham’s reach across decorative surface markets will bring the brand’s outstanding finishes to as wide an audience as possible.
Get your hands on CLEAF surfaces from James Latham CLEAF surfaces are now available exclusively through James Latham. Sixty-five of the brand’s décors are currently in stock, with the remainder of the full range, which can be pre-ordered, in stock from September 2024 onwards. A Clerkenwell showroom will also follow later in 2024, allowing visitors to witness the outstanding surfaces in person.
Top left Jiometori is a texture with a geometrical composition inspired by Carlo Scarpa’s Brion tomb, which is located near Treviso in Italy
Top right Cheope,
meanwhile, is a geometric texture that is inspired by the perfect lines of pyramids seen from a zenithal point of view
FURTHER INFO
w
lathamtimber.co.uk/ cleaf
NICOLA ZOCCHII
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132 |
Page 133 |
Page 134 |
Page 135 |
Page 136 |
Page 137 |
Page 138 |
Page 139 |
Page 140 |
Page 141 |
Page 142 |
Page 143 |
Page 144 |
Page 145 |
Page 146 |
Page 147 |
Page 148 |
Page 149