HERZOG & DE MEURON 073
Right 1111 Lincoln Road, Miami Beach, Florida reinvents the idea of what a car park should be
Below The curvaceous extension of the Stadtcasino in Basel, Switzerland
Outside, a modular terracotta cladding system referencing traditional Chinese roofs covers the building’s facade. Te glazed tiles, made in Chianti, Italy, form an undulating dark green curtain, which shifts in hue depending on the time of day and weather conditions. Inside are 17,000 m sq of exhibition space across 33 galleries, which, the architects say, ‘embraces the entire spectrum of spaces…from conventional white cube, reconfigurable spaces, screening rooms and multipurpose facilities, to so-called third spaces.’ Te interior spaces are largely characterised by a mixture of textured wood, bamboo and concrete finishes while the galleries boast polished wood floors and large windows with views across the harbour. Delayed because of the pandemic, M+ finally opened its doors in November 2021 with six thematic exhibitions curated from the museum’s contemporary collection (much of it donated by Uli Sigg, a prominent Swiss collector of Chinese contemporary art). In its first full year, M+ reported 2,034,331 visitors,
placing it 18th in Te Art Newspaper’s recently published table of the world’s most-visited art museums.
Herzog & de Meuron’s presentation at the Royal Academy is their first exhibition in London for 20 years. Curated by Vicky Richardson in close collaboration with the architects, the show allows visitors to experience a diverse yet specific range of fully realised and in-progress projects through films, plans, models, prototypes, photographs, material samples and even augmented reality, which will bring the architects’ work to life through digital animations. Te opening room features a selection of around 400 objects from the firm’s archive and research space in Basel known as Kabinett. Containing archival materials associated with the firm’s projects since 1978, Kabinett is housed in Herzog & de Meuron’s Helsinki Dreispitz building. Te architects consider the space as a publicly accessible showroom, and it also exhibits works from their own art collection as well as from the extraordinary photographic
RUEDI WALTI
MARGHERITA SPILUTTINI
FOTOMAK /
SHUTTERSTOCK.COM
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117