PHOTO: MAURICE SCHOBINGER


Expressing that memory of the site was important following demolition of a 19th-century train hall previously located there. An almost closed façade faces the train tracks to the south while the buildings open up more towards the north where there is a new public plaza. Brick façades bring texture to the blind monolithic elevation and, on the square, the rhythm of the vertical blinds break the massiveness of the overall structure. At night, these brick


The moment when a door opened to let the future into Lausanne was arguably when Keller became the director of the Ecole Cantonale d’Art de Lausanne


blinds diffuse the interior light coming from the museum. While the ground floor feels like an extension of the public space outside, the upper levels are given over to the permanent and temporary exhibitions. Te compactness of the form, the use of natural light to illuminate the interiors and the high flexibility of the spaces, which allows for different public events to take place within the walls of the museum, are among the essential architectural features


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