search.noResults

search.searching

saml.title
dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
036 PROJECT 2


Enso, Colchester, Essex


Ekho Studio was tasked with creating a new-build amenity space for students that promoted relaxation, well-being and social interaction, while also being an environmentally low-impact design


BREAKTHROUGH TALENT FX Award winners Ekho Studio has completed a new-build scheme called Enso, at a student accommodation project with 282 rooms located in the heart of Colchester and in reach of the University of Essex campus. The brief from joint clients Moorfield, a UK real estate fund manager, and project developer Melberry was to create a bright, airy and light-filled student amenity space, promoting relaxation and well-being, and encouraging social interaction, and for it to be an environmentally low-impact design, which prioritised materials with strong recycled or recyclable credentials and low-energy manufacture and use.


For the project concept the Ekho Studio team took primary inspiration from a sense of place, focusing particularly on Colchester’s rich history. The town was known as Camulodunum during Roman times and some of the forms and elements from this period remain intact, such as Roman arches and layered brick walls, standing out as a common thread through the town’s history and architecture. Ekho Studio took these key visual and architectural elements and used them to formulate a consistent design language for the interior scheme. Simple forms, particularly the ‘arch’ motif, are used horizontally and vertically to create interest, while patterns suggest the reveal of layers in the old city.


A second thread is nature, with Colchester and the surrounding countryside full of strong textures and dramatic forms and colours. The colour palette fuses Roman-era references with local natural colours, celebrating earthy and warm tones.


‘By using these tones as ‘block’ colours,


we created a vibrant, bold colour palette, which works well with the forms but also has a softer feel,’ Ekho Studio co-founder Rachel Withey comments. ‘We emphasised the toasty burnt oranges and varying shades of pink that cloud and streak the traditional earthenware material of terracotta and complemented this with the natural greens/blues that reflect Colchester’s surrounding countryside.’ When entering the ground floor amenity space, you are immediately greeted by the


WORDS BY EMILY MARTIN


IMAGES BY GUNNER GU


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140  |  Page 141